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LYRICS OF HOME-LAND 




THEUE'S A CIIOIK OF IIAPI-Y VOICKS IN THE WOODLANDS SWEETLY SINGING; 

OUT AMID THE APPLE BLOSSOMS WE CAN HEAR THEM ALL THE DAT 
AND WITH GLAD AND JOYOUS MUSIC ALL THE LEAFY BOUfiHS ARE RINGING. 

GATLT SING THE SUMMER SONG BIRDS. HOW WE WONDER WHAT THEY SAT." 

(Page 09.) 



LYRICS OF HOME-LAND. 



BY 



EUGENE J. HALL. 




CHICAGO: 
S. C. GRIGGS AND COMPANY. 



T5/T71- 
\Z8I 



Copyright, 1881, 
By S. C. GRIGGS & COMPANY. 

Miss LETiTfA THOMAS 
AUG- 3. 1^0 



I KNISHT Si LEnMATJTT 



TO 

IRVING RETTER HALL, 

MY MERRY LITTLE SON, 

THIS VOLUME IS AFFECTIONATELY INSCRIBED. 



In youth be pure, in manhood strong. 

Be foremost in the fight, 
A bitter foe to evert wrong, 

A constant friend to right. 

Be brave, mt boy. nor yield, nor fall, 

And it will be my prayer 
That the dear Lord, who loves us all, 

May keep you in his care. 



PREFACE. 



LEAVING the old New England farm-house where I was born, 
I commenced my career, beyond my native hills, by teaching 
a district school. During that interesting period of my existence 
it was my pleasure and privilege to sojourn with many families 
of whose simplicity and hospitality I still cherish kindly remem- 
brances. I have heard the pattering raindrops and the rattling 
hail upon the shingles, and have listened to the howling of the 
winter wind about the great gables and massive chimneys of many 
old farm-houses. I have slept in the spare bed, behind whose 
snowy valance the winter's store o£ butternuts was spread to dry. 
I have chased the highway cow, have labored through long, 
sultry days in field and meadow, have hunted and fished amid 
the vernal mountains, have been one of the social group ac- 
customed to congregate at the village store, and have often 
sat by the olden time fire-place and heard my share of that small 
gossip so common in country neighborhoods. I have traveled from 
town to town, always mingling closely with the people; and I can 
say, without exaggeration, that, with few exceptions, I have found 
kindness, benevolence, generosity and good-will wherever I have 
been; and therefore can affirm, with good reason, that these very 
excellent qualities are the most prominent characteristics of the 
average American. To those who have helped and befriended me 
I desire to publicly express my gratitude, particularly to John M. 
Retter of Oak Park, Franc B. Wilkie, Judge Mason B. Loomis and 



Vlll 



PREFACE. 



William M. Hoyt, of Chicago, Illinois, who have been true friends 
to me when friendship was greatly needed. 

Yankees, so called, have always been represented, in both 
literature and the drama, as sharp-featured, ungrammatical boors, 
talking nasal nonsense and making themselves and their country 
generally ridiculous. Doubtless they are eccentric and peculiar 
people, but in intelligence and education are second to few, if any, 
people on earth. The Yankee dialect is agreeable to the ear, and, 
in the expression of ideas, is compact and comprehensive. It is 
only in the most isolated places, if indeed anywhere, that anything 
approaching the " conventionalized " Yankee could be found. 

It has been my purpose to picture with fidelity the better side 
of American life, manners and scenery. If I have failed in my 
undertaking, it is because my eyes have deceived me, or that my 
pen is powerless to portray the peculiarities of nature, the joys 
and sorrows of the human heart, the sweet faces and the lovely 
landscapes I have seen. The following poems may lack grace and 
beauty, but I have faithfully tried to put a truthful touch of 
honest nature in them all. 



Millard Avenue Station, Chicago, III., 
August 10, 1881. 




COI^TElSrTS. 



RUSTIC RHYMES. 
The House ox the Hill, .-...- 1 

The Highway Cow, ..--... 7 

Farmer Brown's Dream, . . . . . .11 

Deacon Day, __.-._-.. 15 

Farmer White, . . . _ _■. . .16 

Philander Cole, .-.-.... 10 

The Old-Fashioned Doctor, _ . „ . . 25 

The Old Parson's Story, ....... 26 

Peleg Stow, .-.-.--..29 
Susie Rae, ......... 31 

Sweet Tone, ......... 35 

The Old Garret, _.....- 38 

HOME MEMORIES. 

The Old Fa^m-Gate, ....... 41 

The Old Stone Mill, .....-- 43 

Goin' fur the Cows, ....... 46 

The Village Sexton, ....... 48 

The Old School-House, ....... 51 

Leetle Jeannie, ........ 52 

Your First Sweetheart, . . . . . .54 

Days that are no More, ...... 57 

Taken Away, 58 

Two Leetle Empty Stockin's, .... - 59 

BUCOLIC BALLADS. 

Adoniram and Miranda, . . . . - . .61 

Sarah Jane Sylvester, . . .68 

A Summer Romance, .74 



X CONTENTS. 

Hawkins an' Mk, 79 

Till': A\'ii)I)i:k 13udd, ....-._. 81 

Moses Dole, ........ 84 

Poppin' Cokx, ......... 88 

The Jolly Old BLAtKSMixH, ..... !H) 

The Achin' Back, ........ O'j 

My Fathku's Old Scarecroav, ..... Ui 

Crows in the Corn, ....... Do 

The Second Wife, . . . . . . . 97 

SONGS OF NATURE. 
Bird Song, -.-...... 99 

Summer is Gone, . . . . . . . 101 

The Village Bells, ....... 103 

The Tiiunderstokm, ....... lO-i 

The Mountain Stream, . . . . . . .100 

O Brightly" Beam, ....... 107 

A Winter Song, 108 

Song of the AVoodchopper, ... .110 

Roll, Waves, Roll, ....... Ill 

Laughing Song, .--..... 112 

Alpena, 113 

The Banks of the Mohawk, ..... 115 

Softly from the Purple Clouds, ..... 117 

SOCIETY SKETCHES. 

"A Kiss in the Dark," 119 

Shadows on the Curtain, ...... 133 

A Retrospect, ........ 13G 

.Rags-nol-Iron, ........ 138 

The Workman's Song, ...... 131 

The Debating Society, ....... 133 

The Yankee Schoolmaster, ..... 141 



ILLUSTRATIONS. 



By T. Moran, W. H. Gibson, F. O. C. Barley, H. Pyle, W. II. Low, C. S. 

Reiniiart, J. D. Woodward, W. Homer, J. McEntee, 

A. R Waud, and others. 

"There's a choir of happy voices in the woodlands 

SWEETLY SINGING," .... Ffotit Ispiece 

Island, ........ Title-pa (/e 

"The weather-worn house on the rrow o' the hill," . 3 
"An' rode up an' down thro' 'jiie green rows o' corn," . 5 
" Where menny a fallen hero with his faint, expirin' 

BREATH," .---.... 13 

"The stock must re watered an' fed," ... 17 

"bizness w'us j5izness, he used to say,". . . .21 

"They SLEEP in the silent old churchyard," . . 27 

" Labor an' he did disagree," . . . . . .30 

"I DREW HER OX MY OLD BLUE SLED An' THO't THE LOAD WUS 

LIGHT," . . . ...... 33 

" She loved to stray- thro' avoodlands gay," . . 37 

Olden-time tea-kettle, . . . . . . . 40 

"The one brkhit spot in hls fretful way wus his blue- 
eyed gran'child, leetle May," . . . .45 

"Acrost the dark fields from the town the tollin' bell 

I HEAR," ......... 49 

"An' she gayly woke to greet me at the dawn o' day," 53 
Waterfall, .........60 



XU ILLUSTRATIONS. 

"While mild Miraxda Merriam avus ix the kitchex 

spixxix'," ._.-.-_- 63 

'*The evexix' dew wus fallix','' ... - 69 

'" She "vvus a pretty couxtry girl ez artless ez a dove." T5 

''Amid the shocks o' staxdix' corx," . . . TT 

'' He'll avatch ax' he'll avait with a patiexce sublime," SO 

"T'other xight he wus over ter 'Goshex gate,'" . 85 

"I'm rough ax' tough, but I hev'x't a care," . . .91 

" Ix the corxfield all the day I've dug ax' sweat ax' 

hoed away," ........ 92 

"Johx," ......... 95 

Haxgixg birds' xest, . . . . . _ .98 

"Dowx the mouxtaixs darkly creepixg," ... 105 

" Softly, silextly, white axd fair, floatixg aloxg 

through the frosty air," ..... 109 

"Blow, wixDS, — blow, wixds, — softly o'er the sea," . Ill 

" GeXTLY, from ax APRIL SKY, FALL THE PEARLY DROPS OF 

RAix," ......... iir 

Rock axd briers, ........ 118 

"i forgot my owx grief at beholdixg the sight," . lt?3 

" ThEX came o'er that CURTAIX XEW forms of DELIGHT," 124 

"i see her triumphaxt, i hear her commaxd," . . 125 

" His dusky brow was low axd square," . . . 129 

"Ox 'Miller's Hill' a faemhouse stood," ... 1-43 

"SusAX Stow," . _ . . - _ . . 147 



RUSTIC RHYMES. 



THE HOUSE ON THE HILL. 

INSCRIBED TO MY MOTHER. 

FROM the weather-worn liouse on the brow o' the hill 
We are dwellin' afar, in our manhood, to-day, 
But we see the old gables an' hollyhocks still, 

Ez they looked long ago, ere we wandered away; 
We can see the tall well-sweep that stan's by the door, 
An' the sunshine that gleams on the old oaken floor. 

We can hear the sharp creak o' the farm-gate again, 
An' the loud cacklin' hens in the gray barn near by. 

With its broad, saggin' floor, with its scaffolds o' grain, 
An' its rafters that once seemed to reach to the sky; 

We behold the big beams, an' the " bottomless bay " 

Where the farm-boys once joyfully jumped on the hay. 

We can hear the low hum o' the hard-workin' bees 
At the'r toil in our father's old orchard once more. 

In the broad, tremblin' tops o' the bright-blooniin' trees, 
Ez they busily gather the'r sweet, winter store; 

An' the murmurin' brook, the delightful old horn, 

An' the cawin' black crows that 're puUin' the corn. 



LYRICS OF IIOME-LAiS^D. 

We can see the low hog-pen, jest over the way, 

An' the long, ruined shed by the side o' the road, 
Where the sleds in the summer were hidden away, 

Where the wagons an' plows in the winter were stowed; 
An' the cider-mill down in the holler below, 

With a long, creakin' sweep fur the old hoss to draw, 
Where we larned by the homely old tub long ago 

Wliat a world o' sweet raptur' there wus in a straw; 
From the cider-casks there, lyin' loosely around. 
More leaked from the bung-holes than dripped on tlie ground. 

We behold the bleak hillsides, still bris'lin' with rocks, 

Where the mountain streams murmured with musical sound, 
Where we hunted an' fished, where we chased the red fox 

With lazy old house-dog or loud-bayin' hound; 
An' the cold, cheerless woods we delighted to tramp. 

Fur the shy, whirrin' patridge, in snow to our knees, 
Where, with neck-yoke an' pails, in the old sugar-camp, 

We gathered the sap from the tall maple trees; 
An' the fields where our plows danced a furious jig 

Ez we wearily follered the furrer all day, 
Where we stumbled an' bounded o'er boulders so big 

That it took twenty oxen to draw 'em away: 
Where we sowed, where we hoed, where we cradled an' mowed. 

Where we scattered the swaths that were heavy with dew. 
Where we tumbled, we pitched, an' behind the tall load 

The broken old bull-rake reluctantly drew. 
How we grasped the old sheepskin with feelin's o' scorn, 

Ez we straddled the back o' the old sorrel mare. 
An' rode up an' down thro' the green rows o' corn. 

Like a pin on a clo's-line, that sways in the air; 



RUSTIC RHYMES. 




■^JC-^^^-^^ 






^'^'-^ ^ 



"from TIIR WEATIIEU-WORN UOUSE ON THE BROW O" THE UILL 
WE ARE DWELLIN' AFAR, IN OUR MANHOOD, TODAY." 



LYKICS OF llOME-LAXD. 

AVe can hear our stern fathers a scoldin' us still, 
Ez the careless old creatur' comes down on a hill. 

AVe are far from the home o' our boyhood to-day, 

In the battle o' life we are strugg-lin' alone; 
The weatlicr-worn farm-house hez g-one to decay. 

The ehiuiblpy hez fallen, its swallers hev ilown, 
Yet memory brings, on her beautiful wing-s, 

Her fanciful pictur's again from the past, 
An' lovin'ly, fondly, an' tenderly ding's 

To pleasur's an' pastimes too lovely to last. 
A\'e wander again by the river to-tlay. 

We sit in the school-room, o^erllowin"' with fun, 
"\Vc whisper, we play, an' we scamper away 

When the lessons are larned an' the spellin' is done. 
We see the old cellar where apjiles were kept. 

The g'arret where all the old rubbish wus thrown, 
The leetle back chamber where snugly we slept, 

The homely old kitchen, the broad hearth o' stone 
Wheie ap]>les were roasted in menny a row, 
\Vliere our grandmothers nodded an' knit long- ag'O. 

Our gran'mothers long hev reposed in the tomb, — 

With a strong-, healthy race they hev peopled the land,- 

They Avorked with the spindle, they toiled at the loom, 
Nor lazily broug-ht up the'r babies by hand. 

The old ilint-lock nuisket, whose awful recoil 

Made menny a Nimrod with agony cry. 
Once hung- on the chimbley, a part o' the spoil 

Our gallyant old g-ran'fathers captur'd at "Ti," — 



RUSTIC RHYMES. 







'AN' RODE UP AN' noWN Tnno' THE GREEN ROWS O' CORN, 
LIKE A PIN ON A CLO"s-HNE, THAT SWATS IN THE AIR.'' 



LYRICS OF HOMELAND. 

Brave men were our grandfathers, sturdy an' strong, 

The kings o' the forest they chopped from the'r lands, 
They were stern in theV virtu's, they liated all wrong. 

An' they fought fur the right with the'r hearts an' the'r hands; 
Down, down from the hillsides they swept in the'r might, 

An' up from the hollers they went on the'r way. 
To fight an' to fall upon Hubbardton's height. 

To struggle an' conquer in Bennin'ton's fray 
O! fresh be the'r memory, cherished the sod 

That long hez grown green o'er the'r sacred remains, 
An' grateful our hearts to a generous God 

Fur the blood an' the spirit that flows in our veins. 

Our Aliens, our Starks, an' our Warners 're gone. 

But our mountains remain with the'r evergreen crown; 

The souls o' our heroes 're yet marchin' on, — 

The structures they founded shall never go down. 

From the weather-worn house on the brow o' the hill 
We are dwellin' afar, in our manhood, to-day; 

But we see the old gables an' hollyhocks still, 

Ez they looked when we left 'em to wander away. 

But the ones that we loved, in the sweet long-ago, 

In the old village churchyard sleep under the snow. 

Farewell to the friends o' our bright boyhood days. 
To the beautiful vales once delightful to roam. 

To the fathers, the mothers, now gone from our gaze, *" 

From the weather-worn house to the'r heavenly liome, 

Where they wait, where they watch, an' will welcome us still 

Ez they waited an' watched in the house on the hill. 



THE HIGHWAY COW. 

rnn IIE best o' bein's will hev the'r cares, 
-*- There's alwus sumpthin' to cross our way, 
To worry an' fret us in our affairs. 

An' sech wus the lot o' old Deacon Day. 
He hed his trials: I'll tell you how 
He wus tempted an' tried by a highway cow. 

The hue o' her hide wus a dusky brown. 

Her body wus lean an' her neck wus slim, 

One horn turned up, an' the other down. 

She wus sharp in sight an' wus long in limb, 

With a peaked nose, with a stumpy tail. 

An' ribs like the hoops on a home-made pail. 

Menny a mark did her body bear, — 

She hed been a target fur all things known, — 
On menny a scar the dingy hair 

Would grow no more ez it once hed grown. 
Menny a pebble, shied an' shot, 
Hed left upon her a lastin' spot. 

Menny a cudgel an' menny a stone. 

An' menny a brick-bat o' goodly size, 
An' menny a 'tater swiftly thrown 



LYRICS OF HOME-LAND. 

Heel brouglit the tears to her tarnal eyes, 
Or hed bounded off 'm lier bony back 
With a noise like the ring o' a rifle-crack. 

Menny a day hed she passed in pound, 

Fur slyly helpin' herself to corn, 
Menny a cowardly cur an' hound 

Hed been transfixed by her crumpled horn; 
Menny a tea-pot an' old tin-pail 
Hed the fann-boys tied to her old stump tail. 

Old Deacon Day wus a pious man, 

A frugal farmer, upright an' plain, 
An' menny a weary mile he ran 

To drive her out o' his growin' grain. 
Sharp were the pranks that she used to play 
To get her fill an' to get away. 

He used to sit on the Sabbath day. 

With his open Bible upon his knee, 
Thinkin' o' loved ones far away 

In the Better Land, that he longed to see. 
When a distant beller, borne thro' the air, 
W^ould bring him back to this world o' care. 

When the Deacon went to his church in town 
She watched an' waited till he went by. 

He never passed her without a frown, 
An' an evil gleam in each angry eye; 

He would crack his whip an' would holler, " Whay ! " 

Ez he drove along in his one-hoss shay. 



RUSTIC RHYMES. 

Then at his homestead she loved to call, 
Iviftin' his bars with her crumpled horn, 

Nimbly scalin' his garden wall, 

Helpin' herself to his standin' corn, 

Eatin' his cabbages one by one, 

Scamperin' off when her meal wus done. 

Of 'en the Deacon homeward came, 

Hummin' a hymn, from the house o' prayer, 
His good old heart in a trankil frame, 

His soul ez calm ez the evenin' air. 
His forehead smooth ez a well-worn plow, 
To find in his garden that highway cow. 

His human pashuns Avere quick to rise, 
An' stridin' forth with a savage cry, 

With fury blazin' from both his eyes 
Ez lightnin's flash in a summer sky, 

Redder an' redder his face would grow, 

An' after the creatur' he Avould go. 

Over his garden, round an' round, 

Breakin' his pear an' his apple trees, 

Trampin' his melons into the ground, 
Tippin' over his hives o' bees, 

Leavin' him angry an' badly stung, 

Wishin' the old cow's neck wus wi-ung. 

The mosses grew^ on the garden wall, 

The years went by, witli the'r work an' play, 
The boys o' the village grew strong an' tall. 



10 



LYRICS OF HOME-LAND. 



An' the gray-haired farmers dropped away, 
One by one, ez the red leaves fall, 
But the higlnvay cow outlived 'em all. 

The things we hate are the last to fade; 

Some cares are lengthened to meiniy years; 
The death o' the wicked seems long delayed, 

But there is a climax to all careers, 
An' the highway cow at last wus slain 
In runnin' a race with a railway train. 

All into pieces at once she went. 

Jest like savin's banks when they fail, 

Out o' the world she wus swiftly sent, — 
Leetle wus left but her old stto/ij) fail. 

The farmer's gardens an' corn-fields now 

Are haunted no more by the highway cow. 



i>i^^<i 




FARMER BROWN'S DREAM. 

INSCUlIiKD TO U. S. GRANT. 

TTANNAH, I hcd a dream last night, that the war again hed 
-'- conio; 

I lieard the scream o' the merry fife an' the rattlin' o' the drum. 
Again ourgallyant boys in blue, with the'r glitterin' guns were seen, 
An' our company formed in a solid line upon the village green; 
While wimmin were there with the'r leetlc ones, an' with menny a 

tearful eye, 
Ez they bid the husbands they loved so well a long an' last good-by. 
There were lovers who parted forever there, an' mothers who tried 

to pray, 
And leetle babies, who clapped the'r hands ez the'r fathers marched 

away — 
Away from the peaceful village, with a firm an' solcm' tread, 
An' down to the fields o' glory, wliere the furrers an' streams were 

red — 
Away, in the merry spring-time, an' into the bloody fray, 
With the buttercups an' daisies a bloomin' beside the way; 
With our war-drums wildly rollin', with our voices jined in song, 
An' our colors a gaily llyin', ez we proudly passed along. 

Tiien follered the sultry summer, our faces grew dai-k an' brown 

Ez over the dusty highways we tramijed from town to town; 

Our feet were blistered an' weary; our bodies were racked with 

pain; 

An' some on us fell by the roadside never to rise again. 

11 



12 LYRICS OF HO.^IE-LAND. 

I dreamed I stood on the battle-field with the bullets a whis'liu' by; 
With the smoke so thick about me that I couldn't see the sky; 
With the cannon around me roarin', like bursts o' thunder sound, 
Where the dead an' dyiu' together lay in heaps upon the ground. 
Where menny a fallen hero, with his faint, expirin' breath, 
Ez his gallyant comrades rushed along in the'r last wild charge 

o' death, 
Riz up an' cheered 'em forward, from the furrer where he lay 
A burnin' with thirst an' fever, while his life-blood ebbed away. 
Where the sun went down at the close o' day, with a red an' awful 

glare. 
While the terrible cries o' the wounded resounded thro' the air, 
Where down in the dark ravines at night, in trenches long an' deep, 
We buried our dead an' left 'em to the'r last unbroken sleep. 

When the yeller leaves were fallin', in the hospital I lay, 

An' tho' we hed won a battle, my heart wus far from gay; 

Fur both o' my boys were sleepin' beneath a Southern sod, 

By a couple o' Rebel bullets the'r souls were sent to God. 

My heart seemed well-nigh broken, but I gloried in the'r fall; 

Fur I giv 'em both to my country, — my pride, my hope, my ALL ! 

An' oft, in the cold December, when the fields were frozen hard. 

On the banks o' the bleak Potomac, I stood in the snow on guard. 

I watched the stars above me, an' waited the dawn o' day. 

An' longed fur the cheerful firelight o' the old home far away. 

Once more o'er hill an' holler, with frozen hands an' feet, 

J tramped with my tired companions in that terrible retreat. 

We stood by the deep, broad river, a panicky-stricken throng. 

With the enemy clost behind us a hundred thousand strong. 



KUSTIC RHYMES. 



la 




jp \"*t^ a sc 



' WHERE MENNY A FALLEN HERO, "WITH HIS FAINT, EXPIRIN' BREATH, 
EZ HIS GAI.LYANT COMRADES RUSHED ALONG IN THE'B LAST WILD CHARGE O' DEATH, 
RIZ UP an' CHEERED 'EM FORWARD, FROM THE FURRER WHERE HE LAY 
A BURNIN' WITH THIRST AN' FEVER, WHILE HIS LIFE-BLOOD EBBED AW AT." 



14 



LYRICS OF HOME-LAND. 



My (Iroain wus fliano-ed. Above me J saw a eloiuly sk^-; 

Oiu'e more in a Sotff/ieni prison in ani>uish I seemed to lie, 

With notliin' overhead fur shelter, on a pile o' moldy liav, 

A\'ith hundreds around me starvin' an' dyin' day by day. 

A\ e were tortured beyond endurance, wliile Hoholp'eiu/s stood by, 

AVho gloated upon our agony an' smiled to see us die. 

Hannah, T woke from my awful dream, with the cold sweat on my 

bi'ow. 
An' 1 thank the T.okj^ with all my soul that the War is over now; 
That over our country, everywhere, the old Hag yet remains; 
That the millions are free from bondage who once were held in 

chains. 

Under the wavin' Southern pines my fallen conn-ades sleep, 
Down in the darksome triMiches, in nuMinv a molderin' h(>ap, 
An' beautiful winnnin scatter Howers, on Decoration-Da v. 
Over the dust o' the boys in blue an' the bones o' the boys in 
gray. 




DEACON DAY„ 

rr^HE church liez been an' voted straight, ag-in my voice an' views, 

To put a carpet on the floor an' quishuns in the pews. 
I've been a deacon, true an' square, fur twenty years or more. 
An' never yet hev seen no need o' carpetin' the floor. 

I've helped to build the old church up, an' I hev done my share 
To feed its preacher every year an' keep it in repair. 
I've took my place each Sabbath day, contented ez could be, 
An' I hev alwus found my seat wus soft enough fur me. 

I've of'en found myself obleeged to give my boys a shake, 
To make 'em mind the preacher's text an' keep 'emselves awake. 
But when they get the carpets down an' stuffin' in each pew, 
We'll all o' us begin to snore afore the sarmon's through. 

The stoves '11 soon be pitched aside, to hev a furniss fire. 

They'll vote to hev a vestybule, an' orgin in the choir. 

But when they get the'r fixin's in, an' gewgaws on the door, 

I'll never feel to home again ez I hev felt afore. 

15 



FARMER WHITE. 

~V7"0U may talk o' the joys o' the farmer, 

-^ An' envy his free, easy life; 
You may sit at his bountiful table, 

An' praise his industrious wife. 
Ef you chopped in the woods in the winter. 

Or follered the furrer all day 
With a team o' unruly young- oxen 

An' feet heavy loaded with clay; 
Ef you held the old plow, I'm a thinkin' 

You'd sing in a different way. 

You may dream o' the golden- eyed daisies 

An' lilies, that wear sech a charm; 
But it gives me a heap o' hard labor 

To keep 'em from sp'ilin' my farm. 
You may pictur' the skies in the'r splendor. 

The landscapes so full o' repose. 
But I never get time to look at 'em 

Except when it rains or it snows. 
You may sing o' the song birds o' summer; 

I'll 'tend to the hawks an' the crows. 

You may write o' the beauties o' natur', 
An' dwell on the pleasur's o' toil; 

But the good things we hev on our table 
All hev to be dug from the soil; 



RU8TIC IMIYMES. 



17 



An' our beautiful, bright, golden butter, 
Perhaps you may never hev larned, 

Makes a heap o' hard work fur the wimniin; 
It hez to be cheerfully churned, 

An' the cheeses, so plump in our j^antry, 
All hev to be lifted an' turned. 




" THE STOCK MUST BE WATEUED AN' FED." 



When I come from the hay-field in summer, 
"With stars gleamin' over my head. 

When I milk by the light o' my lantern, 
An' wearily crawl into bed. 

When I think o' the work o' the morrer. 
An' worry, fur fear it might rain, 



18 LYRICS OF HOME-LAND. 

When 1 hear the loud roar o' the tluinder, 
An' wife slie beo-iiis to eoiuplaiii. — 

Then it seems ez if life wus a burden, 
"With nothin' to hope fur or gain. 

But the ecn-n must be planted in sprino'time. 

The weeds must be kep' from the ground, 
"While tlie hay must be cut in the sunnner. 

The wheat must be cradled an' bound; 
Fur we never are out o* employment. 

Except when we lie in the bed; 
We must chop ail our wood in the winter, 

An' pile it away in the shed. 
An' the crops nuist be taken to market. 

The stock nuist be watered an' i'cil. 

You may envy the joys o' the farmer. 

Who works like a slave fur his bread, 
Or niebbe to pay oft' a mor'gage 

That hangs like a cloud o'er his head. 
You may gaze at his corn-fields an' meaders, 

Nor think o' his wants an' his needs. 
You may sit in the shade o' the orchard. 

An' long fur the life that he leads; 
But you'd tind leetle comfort or pleasur' 

In iio-htin' the buc-s an' the weeds. 



PHILANDER COLE. 

A KiCII old iiiuii wus I'hilaiKK'i' Cole, 

With an iron heart, an' a sordid soul; 
1 Ic wus a miserly crcatur'. 
lie would stay to home on the Sabbatli day; 
The rent o' a pew he wouldn't pay, 

Nor help to supi)ort the i)ieacher. 

"Biznesswus bi/.n(>ss," he used to say; 
"An' ])eople who went in debt nntst pay ; 

Or why should they want to borror?" 
lie s(|ueezed his victuius, he (U'uslicd the'r pride, 
The widder wept an' the oi'phan ci'ied, 

But he heeded not the'r soi'rer. 

What wer(> tears 1o Philander Colo? 

The love fur his money Idled his send, ^ 

iVn' no matt(!r how he made it. 
He oidy tho't o' the o-old lie lent, 
He only smiled at a bi<>- ))(>r-cent, 

An' laugh(;d when his victums j)aid it. 

His hair wus white ez the winter's snow; 
An', thro' his stingy okl soul below, 

A hundred deep schemes were ruiniin'. 



20 LYRICS OF HOME-LAND. 

His look wus shabby, his clo's were mean, 
His face wus thin, but his eyes were keen, 

An' the'r gaze wus sharp an'' cunnin'. 

His tall, white hat, o' a euris style, 
Wus enough to make a mourner smile, 

Coz it looked so odd an' funny. 
Yet hid from sight, in its queer old crown, 
Wus wealth enough fur to buy the town, 

Hed it only been in money. 

He carried his notes an' papers there, 
An' menny a sound an' solid share 

In railroads, bankin' an' minin'. 
An' all o' his neighbors tho't o' that 
With great respect fur his old white hat, 

Or ruther its costly linin'. 

He lived alone, in a mean abode, 

A house remote from the old stage-road, 

In a lonesum situation. 
A dozen o' spindlin' popple trees 
Jest helped a leetle to break the breeze, 

An' hide it from observation. 

The robins returned, with songs o' cheer. 
An' the wrens an' swallers built, each 3'ear, 

The'r nests in the narrer gables. 
To the mossy eave-troughs, rudely hung, 
The grizzled old grape vines closely clung 

Like a lot o' stranded cables. 



RUSTIC RHYMES. 



21 



From the cottage roof, decayed an' steep, 
The rain ran down to a cistern deep, 

In muggy an' stormy weather; 
Where a family o' croakin' frogs, 
An' a thousand leetle pollywogs, 

In harmony lived together. 




" ' BIZNESS WUS BIZNESS,' HE USED TO SAY; 
' an' people who went in DEBT MUST PAY.' 



But trouble came to Philander Cole, 
That tried his temper an' saved his soul — 

Fur " Fortune " hez some strange capers. 



22 LYRICS OF IIOME-LxVND. 

♦ 

While drawin' water, one luckless day, 
He dropt his hat, to his great dismay, 
With all o' his precious papers. 

Off from his head, like a gleam o' light, 
Downward it sank from his anxious sight — 

O ! how his papers did scatter 
Amid the sticks an' among' tlie frogs, 
Wakin' the wigglers an' pollywogs. 

That wondered what wus the matter. 

Ah ! what did those slimy creatur's care 
Fur the wealth so widely scattered there. 

Fur they all could live without it. 
Soon on the rim o' the old white hat, 
A speckled old frog- in comfort sat, 

While he croaked to his friends about it. 

Philander Cole, with an anxious look. 
Fished fur his wealth with a cistern hook, 

'Twus a sorry occupation. 
Fur reachin' too far, O ! sad to tell, 
He lost his balance an' in he fell. 

With an aioful imprecation ! 

A fearful cry, a splash an' a groan, 
A gurgle, a shriek, in an awful tone, 

An' no one wus near to save him. 
He floundered among the frightened frogs; 
He grasped at the slimy sticks an' logs, 

But small wus the help they gave him. 



RUSTIC RHYMES. 23 

How sweet is life, an' with what strange fear 
We come to the close o' our odd career, — 

It puts us to g-ravely thinkin'. 
The drownin' man, with a dyin' clasp, 
At the frailest straws will wildly grasp 
To hender himself from sinkiti'. 

Afore the mind o' Philander Cole 
A_ thousand memories seemed to roll, 

Ez the water settled o'er him; 
He tho't o' his useless life o' greed; 
O' the orphans wronged, in the'r helpless need, — 

Like a dream all passed afore him. 

Up to his chin the water rose; 

Then he touched the bottom, vrith his toes! 

With wondrous gratification. 
While under his nose were note an' bond. 
The wealth o' which he hed been so fond, 

N'oto what wus its valuation ? 

It floated around an' seemed to show 
The folly o' trustin' to things below, 

Ez the hope o' life wus failin'. 
"I will give it all," he cried, "to climb 
Out o' -this murky an' awful slime" — 

His offer wus unavailin'. 

There in the water he shoutin' stood, 
Till the sun went down beyond the wood, 

An' he heard the night-birds cryin'. 



24 LYRICS OF HOME-LAND. 

He saw the gleam o' the fadin' clay, 
On the clouds above, an' tried to pnn/, 
Fur he felt that he wus dyin'. 

There is wondrous power in airnest prayer, 
Fur souls that struggle in wild despair, 

In a hopeless situation. 
When all man's efforts cannot prevail, 
The Haxd fkom Heaven can never fail 

That fashioned the wliole creation. 

Within the water the miser stood, 
Shoutin' fur help, ez loud cz he could, 

AA'ith mor'gages floatin' round him; 
"S^'hon, providentially passin' by, 
A neighbor barkened an' heard his cry, 

An' down in the cistern found him. 

He saved the life o' Philander Cole, 
An' helped to succor his sinful soul 

From a far more fatal disaster; 
Fur, from that terrible summer day, 
His wealth to the needy he gave away 

An' his heart to his Heavenly Master. 

A kindlier look his featur's wore; 

His way wus brighter than 'twus afore, 

The skies seemed fairer above liim. 
An', when it wus whispered he wus " dead," 
INIenny a sorrerful tear wus shed, 

Fur all hed larned to love him. 



THE OLD-FASHIONED DOCTOR. 

rriHERE liGz been a great change in our j^ractis, I know, 
-*- Sence the day when I took my degree; 
There are new-fangled things that hev managed to grow 

Till they've got to be frightful to see. 
They declare the old systum hez gone to decay, 

Tliat my formulis all hev been wrong; 
An' they hint that I'd better git out o' the way 

That the dosis I give are too strong. 

I hev doctored the sick, I hev watched with the ill, 

There are thousands I've physicked an' bled; 
Were they livin', to-day, they would brag o' my skill. 

But, I'm sorry to say, they are dead. 
Yet I of 'en hev cured 'em, an' I would engage, 

That were all to come back from the grave, 
They would willin'ly tell you they died o' old age. 

An' not from the dosis I gave. 

There are some folks I know, in this fault findin' clime, 

Who will speak o' my skill with a sneer; 
Ef I hadn't been round, at a critical time, 

I'm sartin they wouldn't be here. 
There hev been many changes, ez sure ez I live, 

Sence the time when I took my degree. 
But the weak leetle pills an' the powders they give 

All look mighty onsartin to me. 

25 



^ 



THE OLD PABSON'S STORY. 

rpHEY say I am "old an' furjretful; " 

■'- My style is ez " slo\v ez a snail;" 
My doctrines are "all out o' fashion;" 

My mind is " beginnin' to fail." 
They want a more flowery preacher, 

More full o' furgiveness an' love, 
To talk to 'em less about brimstone, 

An' more o' the mansions above. 

Fur fifty long years I've been preachin'; 

I've studied my old Bible well. 
I alwus hev felt it my duty 

To show all the horrors o' hell. 
Perhaps I've been wrong in my notions; 

I've follered the scriptur's, I know. 
An' never hev knowin'ly broken 

The vows that I took long ago. ' 

I've seen menny trials an' changes, 

I've fouo;ht a g-ood fic^ht a2:in' wrons:. 
The girls hev all got to be wimmin. 

The boys hev grown manly an' strong. 
My honest old deacons hev vanished, 

The'r pure lives hev come to a close. 
They sleep in the silent old churchyard, 

Where soon I shall lie in repose, 

26 



RUSTIC IIHYMES. 



27 



My flock hez been alwus complainin' 

The church wus not rightly arranged; 

They voted to hev a high steeple, 
The gallery hed to be changed; 




" THET SLEEP IN TOE SILENT OLD CHURCHTARD, 
WIIERE SOON I SUALL LIE IN REPOSE." 



They built up a fanciful vestry, 

They bought the best orgin in town, 

They chopped the old pews into kindlin's, 
An' tumbled the tall pulpit down. 



28 LYRICS OF HOME-LAND. 

An' now, to my pain an' my sorrer, 

They say, " the old parson must go y " 
I know I am childish an' feeble. 

My steps are unstiddy an' slow. 
They want " a more spirited speaker," 

I'm told the new deacons hev said, 
" To dance round the platform an' holler, 

An' Avake up the souls that are dead." 

I try to believe that what happens 

Will alwus come out fur the best. 
They tell me my labor is "ended," 

" Tis time I wus takin' a rest." 
I've leetle o' comfort or riches, 

(I'm sartin my conscience is clear) 
An' when, in the churchyard, I'm sleepin', 

Perhaps they may wish I wus here. 




PELEG STOW. 

OTRONG an' healthy, but alwus slow, 
^^ Large an' lazy wus Peleg Stow: — 

Labor an' he 

Did disagree; 
Why he should worry he couldn't see. 

The tall, thick weeds in his garden grew,- 
His wants were menny, his comforts few; 

Leetle he made, — 

He hed no trade, 
All' borrered money he never paid. 

While others labored, he calmly slept; 
While others hurried, he humbly crept; 

An' he seemed inclined 

To be left behind 
In the journey o' life by all his kind. 

He hed no manhood, he hed no pride; 

His fond wife faded, his childern died; 
An' the whole world said 
They were better dead 

Than livin' the pitiful life they led. 

29 



80 



LYRICS OF HOME-LAND. 



Friendless he lived, an' when broken down, 
Became a burden upon the town: 

He lived in vain, 

He died in pain, 
An object o' pity an' just disdain. 




LABOR AN HE 
DID DISAGREE." 



Yet menny will live in sloth an' ease, 
Till out at the elbows an' the knees; 

The'r means will sjiend, 

An' in the end, 
Will o-o to tlie o-rav^ without a friend. 



SUSIE BAR 

IONG' years hev come an' gone, dear Tom, 
-^ Sence you an' I were boys; 
Sence we together went to school 
An' fussed about our toys. 

The old brick school-house yet remains, 

With whittled seats, its halls 
Still bear our badly written names 

Upon the'r scribbled walls. 

The master long- hez passed away, — 

Ah, menny a care hed he; — 
No more we laugh at his old tales 

" With counterfeited glee," 

How stern he wus, how fierce liis frown. 

And yet his heart wus kind; 
The lessons that I larned from him 

Hev never left my mind. 

I see him yet, a grave old man, 

With wise an' knowin' look. 

Still tightly holdin' in his hand 

His ferule an' his book. 
31 



32 LYRICS OF HOME-LAND. 

I still kin hear my mother sigh 
O'er muddy clo's, an' rents 

Torn in my trowse's, when we jjlaj^ed 
At " see-saw " on the fence. 

The old white church; the mossy mill 
Beside the waterfall; *■ 

The pastur' lot upon the hill; 
The chipmucks in the Avail; 

The shady bank beside the stream; 

The pebbles on the shore; 
All pass before me like a dream, 

An' make me young- once more. 

My leetle sweetheart, Susie Rae, 
Is now a woman grown. 

She hez her share o' earthly care 
An' ehildern o' her own. 

How of'en to her humble home. 

Thro' snowdrifts, deep an' Avhite, 

I drew her on my old blue sled, 
An' tho't the load wiis light. 

You, Tom, were jealous o' me then. 
But that wus long ago. 

Our youthful feuds an' enmities 
Hev melted like the snow. 



RUSTIC RHYMES. 



33 



With envious eyes 1 used to see 
Your clothin' new an' fine, 

But what wus your disdain to me, 
When her young heart wus mine. 




'■ 1 drew her on my old blue sled, 
an' tho't the load wus light." 



I cared not fur the stones you threw, 
W^hen, passin' your abode, 

I rode the old white hoss to drink, 
Adown the " old stage-road." 



I tho't o' leetle but o' her, 
An" o' her pretty ways; 

Fur she wus all the world to me. 
In those bright boyhood days. 



34 



LYKIOS OF HOME-LAND. 



Till' birds saiii;: sweetly in the lane, 

The s(iuin''ls ran iiiinhly bv; 
All' this wide world did not contain 

A happier boy than I. 

Alas! 'twus but a boyish dream, 

How soon the old love died. 
But oh! how sweet it used to seem, 

To hev her by my side. 

" It iniojit hev been f what tho'ts are these, 

Fur husbands or t'ur wives. 
What leetle sareunistanees form 

An' fashion all our lives. 




SWEET rONE. 

TF ever ill (liis wc^jiry world 

-■- A lovely .yiil I knew, 

Whose eyes were liriojit c/. nioriiin' li^lit 

Upon tlie spiirkiirr dew; 
Whose cheeks were like (he criiiisoii (lush 

I poll ;i rose (ull-lilown, 
Wlios(j lioart WHS kind ez one could find, 

'Twus sweet lone. 



She lied ;i pair o' cherry lips, 

'I'liat optuHul to disclose 
Two pn^tty rows o' pc^arly (ec^lli, 

IJeneath her leelle nose. 
Ef cvvr voi(;(! WHS sweef to hear, 

It WHS the tciiider tone 
Oft in my ear breathed Icjw an' chiar, 

By sweet lone. 

She hed the fitirest leetle h;inds 

( )' eny <^\v\ in (own, 
She hed ii slender p;iir </ fec^t, 

lieneath In^r <iinn;liani •^owii, 
She looked e/. proud e/ eny '|ueeii 

'I'hat e\<'i- Tilled ;i throne, 
Not tall an' slim, hut plump iuT trim, 

Whs sweet lone. 

35 



'60 



I.YKICS OF llOMK-LANl). 



She 1ov(mI t(> stray thro' woodlaiuls i^'ay, 

An' hknkUms htlhmi aiT lair, 
\\'hi'i(> daisies sweet earessetl lier I'eet, 

AiT sunheains kissed lier hair. 
To her (lie woHd wus lull o' joy, 

AiT sorrer wus unknown, 
llci- heart wus pure, her faith wus sure: 

.\ii, sweet lone! 

Alia in I (hvani, 1 fondly seem 

11 ei' fail' youn<;' face to see; 
Tho' she is fathnl, old an' yray, 

An' far away from me. 
Mv ho[)es hev iled, my faith is dead, 

Mv youthful llanie he/, ilown, 
An' yet, at will, 1 see her still: 

Sweet vouni>- lone. 





^^P^Jl' 



" Bill I l)\ I i> r<J MKA'i I 111 ) \\ 

.i7 



THE OLD GARRET. 



~Y'V'T"HERE the slender wasps on the winders crawl, 
' » An' the spiders creep on the time-worn wall, 



In the dusty attic, I sit an' gaze 
At the rusty relics o' byg'one days. 

Under the rafters, rough an' gray. 
When we were chiidern, we used to play. 

Over the rubbish we used to climb, 
Sj)ortin' with things o' the olden time. 

Clo's that our ancestors used to wear, 
Silently hang in the stiflin' air. 

Bags o' feathers an' apples dry, 
Files o' newspapers long laid by. 

Spools an' spindles, in use no more, 
Lie on the dusty an' creakin' floor. 

Gran'father's old arm chair is here, 
The sacred relic o' menny a year. 

The coat an' cap that he used to wear; 
The battered sword that he used to bear; 

38 



RUSTIC RHYMES. 39 

The faded baldric, once bright an' gay, 
He wore so proudly on muster day. 

A queer old bunnit that still betrays 
The pride o' gran'niother's girlhood days, 

With faded feathers, an' ribbons brown, 
Lies in a box with a dented crown. 

Her old hair trunk an' her l)roken reel. 
Her clock, her loom an' her spinnin' wheel, 

All stand in the garret, side by side. 
Jest ez she placed 'em afore she died. 

Tho'ts o' gran'niother's tender care 
Live in my memory, fresh an' fair. 

Her toil is over; I linger here, 
In the afternoon o' my career, 

Dreamin' o' days that hev slipped away, 
Under these rafters, rough an' gray; 

Where the dust o' time, that will come no more, 
Lies thickly over the creakin' floor; 

Where the slender wasps on the winders crawl. 
An' the spiders creep on the time-worn wall. 




40 



HOME MEMORIES. 



THE OLD FARM-GATE. 

THE old farm-gate hangs saggin' down 
On rusty hinges, bent an' brown, 
Its latch is gone, an', here an' there, 
It shows rude traces o' repair. 

That old farm-gate hez seen each year 
The blossoms bloom an' disappear; 
The bright green leaves o' spring unfold, 
An' turn to autumn's red an' gold. 

The childern hev upon it clung, 

An' in an' out with raptur' swung, 

When the'r young hearts were good an' pure, 

When hope wus fair an' faith wus sure. 

Beside that gate hev lovers true 

Told the old story, alwus new, 

Hev made the'r vows, hev dreamed o' bliss. 

An' sealed each promise with a kiss. 



42 LYRICS OF HOME- LAND. 

That old farm-g-ate hez opened wide 
To welcome home the new-made bride; 
When lilacs bloomed, an' locusts fair, 
With the'r sweet fragrance tilled the air. 

That gate, with rusty weig-ht an' chain, 
Hez closed upon the solem' train 
That bore her lifeless form away. 
Upon a dreary autumn day. 

The lichens gray an' mosses green 
Upon its rottin' posts are seen; 
Inishuls, carved with youthful skill 
Long years ago, are on it still. 

Yet dear to me, above all things. 
By reason o' the tho'ts it brings, 
Is that old gate, now saggin' down 
On rusty hinges bent an' brown. 




THE OLD BTONE MILL 



OWN at the foot o' tlie villiii>;e hill, 
Mossy an' g'ray, stands the (jld stone mill; 



With its sagg-in' roof; its rottin' fhune; 
Its crcakin' wheel an' its dusty room, 

Groir, the miller, vvus old an' <2;ray; 
He'd a heart o' flint, an' a surly way; 

His eyes were sunken; his nose wus red, 
An' the hair like brussles upon his head; 

His wrinkled featur's were dark an' grim, 
An' he hated the world ez it hated him. 

The one brig-Jit spot, in his fretful way, 
Wus his blue-eyed g-ran'child, leetle May, 

An' a love fur her, sincere an' true, 
Wus the only virtu' the old man knew. 

The fairest flow'rs, that the world hez known. 
In the meanest places hev of'en frrown; 

The sweetest blossoms, o' all the year. 
May soonest wither an' disappear. 



44 LYRICS OF IIOME-LxVND. 

The days went by, with the'r work an' care, 
The summer roses bloomed fresh an' fair, 

An' the winds o' autumn tossed an' whirled 
The leaves o' the woodland about the world, 

An' the river ran by the old stone mill. 

But the gate wus down an' the wheel stood still, 

While the village childern sadly said: 
"The miller is gone an' the child is dead." 



The weepin' willers again are green; 
The summer days are once more serene; 

Mossy an' gray, stands the old stone mill, 
Down at the foot o' the village hill; 

But the miller sits in the doorway, there, 
With a kinder look than he used to wear; 

Fur care an' sorrer hev left the'r trace 
In the lines an' wrinkles upon his face; 

They hev sof'ened his iron heart an' will. 

That were hard ez the stones in his rumblin' mill. 

He gently turns, in his pain an' grief. 
To his Heavenly Father to find relief. 



HOME MEMORIES. 



45 



His wounds seem healed by a blessed balm, 
His soul seems filled with a holy calm, 

Ez he tells the childern, who come that way, 
O' the wondrous beauty o' leetle May. 




"the one bright spot, in his fretful WAT, 
WUS HIS BLUE-EYED GRAN'CHILD, LEETLE MAT." 



GOIN' VVn TTTE COWS. 

ryiinO wostcrn sky wus all aiilow 
With I'loiuls o' rod an' <>-rav: 
The cricki'ts in the ^Tassy fields 

Were chirpin'' merrily; 
"Wlu'ii up the lane, an' oVr the hill, 

1 saw a maiden roam, 
Who went her way at elose o' da}'^ 

To eall th(> cattle home: 

" Co noss, CO boss, 
Co Hoss, CO boss, 
Come home, come home." 

The echo o' her eharmin' voice 

K'estnuided thro' the vale; 
It linoHM-ed on the evenin' air. 

It iloated on the g-ale, 
'Twiis borne alonii- the mountain side, 

It drifted thro' the glen. 
It dieil away among the hills 

Far from the haunts o' men: 

" Co BOSS, CO boss, 
Co BOSS, CO boss, 
CoMK iioMK, come home." 

46 



HOME MEMORIES. 

licr faco wus (lusliod with hues o' health, 

Iler arms an' feet were bare, 
She hed a lithe an' active form, 

A wealth o' ebon hair. 
Beyond the hills she passed from slight, 

Ez sinks an evenin' star. 
Until her voice wus faintly heard 

Still callin' from afar: 

" Co BOSS, CO boss, 
Co BOSS, CO boss. 
Come home, come home." 

Soon o'er the grassy knoll appeared 

The cattle, red an' brown. 
An' from the pastur' to the lane 

Came (|uickly trottin' down. 
With sparklin' eyes, an' cheeks aalow, 

Returned the maiden gay, 
Who waved her arms an' shouted low: 

" NVnAY nossi wiiay boss! <> whay!" 

" \\'iiAV lioss! whay boss! 
Whav I!oss! whay boss! 
O wiiAv! O whay! 



47 




tt£/^ 



THE VILLAGE SEXTON. 



rriHE day is done, the sun is down, 
-*- The dismal night is drawin' near, 
Acrost the dark fields, from the town, 
The tollin' bell I hear. 



Another soul hez passed away. 

Another heart will beat no more; 

The village sexton died to-day, 
His hvimble life is o'er. 

The hands that tolled the bell so long 

Are folded on hisjifeless breast; 
He soon must lie amid the throng 
He helped to lay at rest. 

His hair wus gray, his form wus spare, 
He hed a grave an' solem' mien; 

An' mid its menny lines o' care 
No trace o' mirth wus seen. 

A rusty suit o' black he wore; 

Each Sabbath morn he used to stand 
Behind the ancient entry door, — 

The bell-rope in his hand. 

48 



HOME ME ]\1 OKIES. 



4:9 



He rang the merry marriage bell, 

To greet with hope the blushin' bride; 

He tolled the slow an' solem' knell 
When dearly loved ones died. 




■ ACROST THE DARK FIELDS, FROM THE TOWN, 
THE TOLLIN' BELL I HEAR." 



When winter winds blew keen an' shrill, 
When summer roses were in bloom, 

He drove the dark hearse o'er the hill 
That bore 'em to the tomb. 
4 



50 LYRICS OF HOME-LAND. 

The bell will toll, he oft' hez tolled, 
An' worldly customs be the same, 

An' other hands will heap the mold 
Above his lifeless frame. 

We all must die, 'tis vain to weep, 
The proud, the poor alike must fall; 

Beneath the sod we soon must sleep. 
The Reaper claims us all! 




THE OLD SCHOOL-HOUSE. 

I SEE the old red school-house still 
Upon the summit o' the hill, 
In golden sunsliine glowin'; 
I see the shady woodlands near, 
The murmurin' brook once more 1 hear 
Adown the hillside flowin'. 

I jine the group o' merry boys 

That round the yard with deaf'nin' noise 

An' laughter loud are boundin'; 
I list'n to the restless din 
Amid the whittled desks, within 

The homely schoolroom soundin'. 

We stand in line upon the floor, 

We read, recite, an' spell once more, — 

Our souls in song seem blended; 
Our hearts o'erflow with mirth an' fun, 
We grasp our pails an' homeward run, 

When all our tasks are ended. 

"How like a bright an' happy dream 
The sunny hours o' boyhood seem," — 

How clear from clouds above us; 
How soon to manhood we hev grown. 
To fight the way o' life alone, — 

How few we find to love us I 

51 



LEETLE JEANNIE. 



YEARS hev gone sence blue-eyed Jeannie 
Knelt beside her leetle cliiiii', 
An' her rosy face upturnin' 

Lisped her childish prayer. 
*' Jesus, tender Shepherd, hear me, 

Bless thy leetle lambs to ni<>'ht; 
Thro' the darkness, be thou near me. 

Guard me till the mornin'' light." 
Never yet wus silence broken, 

By a sound more sweet to hear, 
Never words more gently spoken. 

Fell upon my ear. 

II. 
Once, with joy, she ran to meet me, 

When I went my homeward way, 
An' she gayly woke to greet me. 

At the dawn o' day. 
Now 1 hear her voice no longer, 

Softly lispin', sweet an' low, 
"Jesus, tender Shepherd, hear me"; 

It wus hushed long years ago. 
By a leetle marble gravestone, 

Oft' with tearful eyes I stand, 
An' I think o' leetle Jeannie, 

In the Better Land. 

52 



IIOMK MEM0EIE8. 



63 




" BIIK OAYLY WOKK TO GBEET MI 
AT THE DAWN ()' DAY." 



YOUR FIRST SWEETHEART. 

SHE seemed in your boyhood ez pure an' fair 
Ez a snow-flake floatin' a-down the air, 
An' every time you passed her 
You hung your head ez you hurried by, 
It made you tremble to hev her nigh, 
In the tender gaze o' her azure eye 
Your glad young heart beat faster. 

Her voice vpus musical to your ear. 
Her joyous laughter you loved to hear, 

An' whWe you looked an' lis'ened 
You saw her beautiful golden curls, 
The envy o' all the other girls, 
Her cheeks were red an' the teeth like pearls 

That in her sweet mouth glis'ened. 

In the deestrict schoolroom you loved to look 

At her fair young face o'er your thumb-worn book,- 

How sweet an' good you tho't her; 
When the teacher turned his back awhile 
It made you happy to see her smile 
Ez you slyly handed acrost the aisle 

The apples you hed brought her. 

54 



HOME MEMORIES. 55 

She said she loved you. You proudly smiled, 
An' even fancied, tho' but a child, 

You couldn't live without her; 
Yew were the words that you shyly said 
Ez you drew her home upon your sled; 
You ate your supper an' went to bed. 

An' dreamed all night about her. 

You, blushin', kissed her ez she went by, 
When the girls an' boys played " needle's-eye " 

At Elder Green's "donation"; 
An' shortly after, upon the stairs. 
You saw her flirtin' with Isaac Ayers, 
You wished "he'd tend to his own affairs," 

You felt a sad sensation. 

You grew to manhood an' left the town. 
She married a farmer an' settled down: 

Your lives were never blended; 
You toil'd an' struggled fur wealth an' fame, 
An' both o' those worldly blessin's came, 
An' after menny a fleetin' flame 

Your youthful romance ended. 

You married, at last, a worldly wife. 
An' changes came in your busy life 

That left some sober traces; 
Your childern clambered about your chair, — 
An' weren't you happy to hev 'em there? 
No other childern seemed half ez fair, — 

You smiled at the'r glad faces. 



56 



LYRICS OF HOME-LAND. 



Your form is bent an' your hair is gray, 
Your leetle sweetheart hez passed away, — 

'Tis years sence last you parted; 
Fur time hez changed you, the years hev fled, 
An' t'other day, when you slowly read 
In your mornin' paper she wits dead, 

With sad supprise you started. 

You dropped your paper upon the floor, 
You wandered again by the river's shore, 

In the midst o' mem'ry's wildwood; 
How few there are in this world o' ours 
Who marry the love o' the'r boyhood hours ! 
Yet where in the'r way bloom brighter flowers 

Than blossoms that bloomed in childhood ? 




DAYS THAT ARE NO MORE. 

-XTTT-HEN menny years hev rolled away, 

VV When we no more are young, 
When other voices may repeat 

The songs that we hev sung, 
When all your youthful beauty fades, 

That Time will not restore, 
Some tender tho'ts may come again 

0' days that are no more. 

The soul but slumbers to awake 

Alike to joy an' pain; 
An' ev'ry holy tho't an' dream 

Are sure to come again. 
The youthful heart, untouched by Time, 

Will dream o' days afore. 
The old heart lives on memories 

O' days that are no more. 

There is a Better Land to come; 

Its gateway is the tomb. — 
O ! may we meet our loved ones there, 

Beyond the hidden gloom. 
How peaceful is the sleep o' Death, 

Fur, thro' his silent door. 
The weary woe will never come 

O' days that are No More. 

57 



TAKEN AWAY. 

TWO limp leetlo hands, on an iiniocent breast, 
O'er a heart that is still an' furever at rest; 
Two cold leetle feet, that will ne'er go astray, 
An' a soul that the angels hev taken away, — 
Taken away, taken away, 
Taken by angels away. 

The touch o' your fingers we never may feel, 
Nor hear your sweet voice in a plaintive appeal; 
Our hearts are a-weary an' dreary to-day: 
We long fur the love that is taken away, — 

Taken away, taken away, 

Taken by angels away. 

Your bright eyes are closed, we may harkon no more 
To the sound o' your patterin' feet on the floor. 
Nor list' to your laughter, nor watch you at play, 
The angels hev taken our darlin' away, — 

Taken away, taken away, 

Taken by angels away. 
58 



TWO LEETLE EMPTY STOCKIN'S. 

rriWO leetle empty stockiii's hang 
-'- Behind the kitchen door; 
Two leetle pairs o' shoes are thrown 

Upon the farmhouse floor. 
The leetle feet, that all day long 

Hev scarcely stopped the'r tread, 
Hev pattered up the stairs to rest. 

An' now are snug in bed. 

Two leetle pairs o' shoes are thrown 

Upon the attic floor; 
The feet that wore 'em, long ago, 

Will never wear 'em more. 
One pair o' leetle feet hev gone 

To walk a foreign pave. 
The other pair o' leetle feet 

Are quiet in the grave. 




60 



BUCOLIC BALLADS. 



ADONIRAM AND MIRANDA. 

I. 

BEHIND a range o' wooded hills, 
That hid it from the highway, 
A low, old-fashioned farm-house stood, 
Beside a leetle by-way. 

With mornin' glories by the door, 

In purple beauty glowin'; 
An' near at hand, with rush an' roar, 

A mountain torrent flowin'. 

Where bobolinks an' robins sang 

The'r glad songs, sweet an' winnin' 

While mild Miranda Merriam 
Was in the kitchen spinnin'. 

She hed a han'some head o' hair; 

Her eyes were bright an' jetty; 
Her lips were red, her face wus fair, 

Her arms were plump an' pretty. 

61 



62 LYRICS OF HOME-LAND. 

Her soul wus innocent an' pure, 

Her young heart free from sorrer, 

An', singin' like a summer bird, 
She tho't not o' the morrer. 

In perfect peace upon the floor. 
The old gray cat wus sleepin'; 

A lot o' goslin's 'round the door. 
With wistful looks, stood peepin'. 

About the old brown barn, near by, 
A flock o' doves wus fiyin', 

An' in the yard were cacklin' hens 
An' peacocks loudly cryin'. 

While round an' round, with whirrin' sound, 
Miranda's wheel wus hummin', 

Way down the hill she hoped to see 
Her city lover comin'. 

Tho' rustic lovers so't her hand, 
She alwus proudly shunned 'em, 

She gazed upon the circlin' hills 
An' longed to live beyond 'em. 

How menny look with envious eyes 
Beyond the hills that bound 'em. 

How few are ever satisfied 

With fashions that surround 'em. 



BUCOLIC BALLADS. 



63 





64 LY'fllCS OF HOME-LAND. 

II. 

The sun wus sinkin' in the west, 
The village bells were tollin', 

Ez thro' Tom Plurnsted's pastur' lot 
A slender youth wus strollin'. 

His clo's were o' the latest style, 
An' made without a wrinkle; 

What maiden could withstand the smile 
O' Adoniram Skinkle ? 

Each year he left the city's din, 
To take a long- vacation. 

An' live upon his country kin 
Fur rustic recreation. 

He felt so proud, an' other things 
All seemed so small about him, 

He wondered ef this leetle world 
Would long exist without him. 

Yet, while his feet with raptur' trod 
The blossoms, bright an' yeller, 

O' buttercup an' golden-rod. 
He heard a fearful beller. 

Acrost the fields, from hill to hill. 
The frightful noise resounded, 

While from a clump o' cedar trees 
A black BULL boldly bounded. 



BUCOLIC BALLADS. 65 

Then Skinkle stopped, with strange supprise, — 

He felt a sudden shiver, 
The fond look faded from his eyes, 

His knees began to quiver. 

One look behind he quickly cast, — 

O! how^ the sight did scare him, — 
Then down the field he fled ez fast 

Ez his long legs could bear him. 

He hollered loudly ez he ran. 

But no one seemed to hear him; 
The fence seemed very far away. 

The bull seemed very near him. 

Before him roared the mountain stream, 

Behind the bull wus roarin', 
An' he wus left to chewse between 

A duckin' or a gorin'. 

He stopped in wo', an' all well know 

That t'wus no time fur laughter. 
He jumped into the flood below, 

(The bull " came tumblin' after.") 

The water dashed an' round him plashed, . 

His senses half confoundin'. 

His hat went dancin' down the glen, 

From rock to rock reboundin'. 
5 



66 LYKIOS OF IIOMK-LAND. 

1J(^ swam the strt^iiin, lie clim' a tree, 

Kw lid wus overtaken, 
All' on llie tcjpniost bough sat lie, 

Like one who feels fursaken. 

His patent h'ather hoots wcic s|i'il(Ml, 
His slender cane wus shattered, 

His dainty wris'bands badly s'ilcd, 
His clo's with mud were spattoi'eil. 

Alas! Cur liiiii, cf IVoiii that limb 
He undertook to travel. 

The bull beg-an to shake his horns 
An' fiercely paw the gravel. 



The evenin' dew began to fall, 
The stars began to twinkle, 

Miranda waited by the wall 
Fur Adoniram Skinklo. 

Superbly dressed in all her best, 
She waitcMl there- to greet him; 

Adown the road, a leetlo way. 

She went with ho[)(^ to nu'et him. 

The dusky bats about the air 

AN^'re round the tarm-house llyin', 

Her sw<>et i'acu^ wor(> a look o' eare. 
She almost felt Iik(^ eryin'. 



iuj(;uLi(; 15 AM. AD y. t>7 

All' wlicii al)()V(' tlic (listnnt hills, 

Tlic luoDii WHS l)iii>litly bcaiiiiir 
With weary head she went to bed, 

All' soon vvus .svvet'lly (Iriiaiiiin'. 

While Adoniram Skiiiklc, still 

His lonely hou^h adoniin', 
in clotliiir chili, a^'iii' his will, 

Awaited fur the nioniiir. 

He loii<red fur wings to fly away 

From his exalted station; 
Fur what would sweet Miranda say 

( )' iiis sad situation? 

The eriek(^ts chirped, tiie frogs rejilied, 

The nig-ht-birds wailed around him; 
All night, with cliatterin' teeth, he sighed; 

At morn, Miranda found him. 

.She drove the furious beast away, 

That watched her luckless lover, 
Who (h-o|)))('d to earth, without delay, 

From his high bough above her. 

"Alack," sez he, "we only need 

J5ut leetle time to show US 
How weak are we, within a tree, 
When t/iere^s a bull Ixdoio ns.'" 



SARAH JANE SYLVESTER. 

THE eveiiin' dew wus fallin'. 
Beyond the mountains g"ray, 
The western sky wus glowin' 
In splendor, far away. 

The katydids were loudly 
Disputin' in the boughs, 

While lots o' jolly bullfrogs 

Were croakin' in the sloughs. 

Above, a lonely night-bird 
Wus callin' to its mate, 

While Sarah Jane Sylvester 

Stood by the farm-house gate. 

She wus a country maiden 

O' nearly seventeen; 
Her form wus fat, her featur's 

Were freckled, red an' green. 

Her hair, a brilliant auburn, 
Wus not inclined to curl; 

An' everybody tho't her 
A healthy, han'some girl. 



BUCOLIC BALLADS. 



69 



Her ploddin', toil-woi-n father 
Hed airly gone to bed; 

A hundred fierce muskeeters 

Were humniin' round his head. 




' THE EVENIN'' DEW WUS FALLIN'. BEYOND THE MOUNTAINS GRAY, 
THE WESTERN SKY WUS GLOWIN' IN SPLENDOR. FAR AWAY." 



Her simple, lovin' mother 
Within the kitchen sat; 

She smoked her pipe in silence, 
An' poored the purrin' cat. 



70 LYRICS OF HOME-LAND. 

Oh, sweet an simple g-iilhood, 

How l)ri<i;lit your fancies seem, 

When care is hut a stran<>-ei-, 
An' life is like a dream. 

When health an' hope are with V'^''^^ 
When friends are true an' kind, 

Afore life's menny follies 

Pervert your simple mind. 

While Sarah Jane Sylvester 
"V^'us o-azin' at the stars, 

Way down tli(> hill her lover 
AN'us clim'in' i)'er the bars. 

She heard his coniin' footfalls. 
An' gin a timid start; 

She felt a kind o' flutter. 
Around her iiappy heart. 

His name wus Selah Button; 

A tall young- nuiii wus he; 
A bashful, honest farmer, 

0' Yankee pedigree. 

From his fair dreams at night-time, 
From all his (ho'ts o' ilay, 

Sweet Sarah Jane Sylvesti-r 
Wus never far awav. 



BUCOLIC BALLADS. 71 

Love cheered him at his labor, 

Upon the stony soil; 
Love made his heart more manly, 

An' gin him strength to toil. 

O! what delightful greetin's 

That old farm-gate hed seen; 
What partin's an' what meetin's 

Both stormy an' serene. 

What words o' human comfort 

That old farm-gate hed heard; 
What sounds o' love an' anger 

Both solem' an' absurd. 



What joyful exclamations; 

What groans o' deep despair; 

Fur SEVEN GENERATIONS, 

Hed done the'r sparkin' there. 

" I-like-tu-come-here,-Sairey," 

Sez Selah, with a sigh, 
" I-like-tu-hev-yeou-Selah," 

Sez Sarah in reply. 

" Be-yeou-in-airnest-Sairey? 

Or-foolin'-me, perhaps- 
Yeou've-been-an'-sed-the-same-thing- 

Tu-them-two-t'other-chaps? " 



72 LYRICS OF HOME-LAND. 

" I've jest gin one the mitten, 
An' t'other one the sack." 

"We'11-sail-life's-sea-tu-gether," 
Sez Selah with a smack!! 

Sweet Sarah Jane Sylvester 
In terror sprang away; 

She clasped her hands together, 
An' shrieked in wild dismay. 

Then Selah so't to soothe her; 

" Don't-holler,-Sairey-Jane,- 
I-didn't-mean-tu-kiss-ye,- 

I-never-will-again." 

But louder yet she shouted, 
Nor heeded what he said. 

From out the bed-room winder 
Her papa popped his head. 

An', like a "bull o' Bashan," 

He bellered, "What's tu pay?" 

" Lord knows, " sez Selah Button, 
While Sarah swooned away. 

He lingered but a minute 
Aside the senseless girl; 

His heart wus in a tumult; 
His brain wus in a whirl. 



BUCOLIC BALLADS. 7S 

Then from the earth upstartiii' 

He turned in mortal fear; 
An' down the dusky highway 

Did nimbly disappear. 

The sound o' Selah's footfalls 

Hed nearly died away 
When, from the farm-house entry, 

Her pai-ents, in dismay, 

Came hurryin', both together, 

An' found the'r daughter there, 
With her pale face half hidden 

Behind her auburn hair. 

Then, kneelin' down aside her, 

The father loudly said: 
My! goodness! sakes! alive! Sal, 

What's got intu yer head?" 

Then startin' up in terror 

She pulled her boddis down. 
An' cried, " a caterpillar 

Hez got intu my gown! 

*' O ma! take it aeout! ! take it about! ! !" 



A SUMMER ROMANCE. 

THERE wus a maiden, fair to see, 
Called Cynthiana Cain, 
Who loved a young man tenderly, 
Named Ebenezer Paine. 

She wus a pretty country girl, 

Ez artless ez a dove; 
She met j^oung Ebenezer Paine, 

An' early larned to love. 

Yet love is but a transient dream; 

The fancy o' a day; 
Its cas'les rise amid the skies, 

To quickly fade away. 

An' wimmin' are ez fickle things 

Ez ever hev been born; 
While hope itself may take to wings, 

An' leave the heart furlorn. 

To that untr'ubled neighborhood 
A city "drummer" came; 

An' soon sweet Cynthiana Cain 
Furg-ot her rustic flame. 

74 



B U C O L I r BALLADS. 



75 



The " drumtnor," ez the days went by, 

In female favor o-rew; 
An' C'yntliiana Cain fui-sook 

Her old love hiv the new; 




' SHE WHS A rRKTTV COUNTRY GIRL, 
KZ ARTLESS EZ A DOVE." 



76 LYRICS OF irOM E-L AND. 

An' scarce a summer day went by 

But he wus by her side. 
He bo't her candy by the pound, 

An' took her out to ride. 

The splendor o' his loud attire 
An' manners wus complete; 

The flamin' necktie tliat he wore 
Wus redder than a beet. 

On Sunday, in the village church, 
He looked acrost the aisle, 

An' watched each movement that she made 
With liis bewitchin' smile. 

She turned her head the other way, 

Towards Ebenezer Paine, 
With an expression on her face 

O' feminine disdain. 

Then honest Ebenezer Paine 

Grew very lean an' spare; 
The " drummer " quickly overturned 

His cas'les in the air. 

Amid the shocks o' standin' corn. 

In melancholy mind. 
All day he worked with look furlorn 

An' hated winnninkind. 



BUCOLIC BALLADS. 



77 



» ■ 






< 2: 




78 



LYRICS OF H O.M I<:- L AND. 



TIi(> fivals iiK't, one rainy ni<>'ht. 

The " (IruiiinuM- " talkcMl o' " l)l()()d," 

But Ebonc/.cr throw liini down, 
AiT rolled him in tiie nuid, 

Then started fur the Western wilds; 

lie eoidd no lon<;'er sta\' 
So near the heiiT that he loveil, 

An' yet so Car away. 

He went to distant Idaho, 

An' Cynthiana I'ain 
Ne'er saw his nielaneholy I'aee, 

Nor hearil ids vt)iee ai»"ain, 

A sail an' unexjxH'ted tale 

^^'us hro't to town one day; 

When told to Cynthiana Cain 
She fainted innte away. 

"The 'drunnuiM-' lied a wife at home, 
An' ehildern, three or four, 

An' twenty ftircff /)(•(( rts, at the least, 
In twenty towns or more " 



Afore the i-luHM-less morrer eame, 
lie seeretly lied ilown; 

An' fieklt> (^ynthiana Cain 
^^'us left in tears alone. 



HAWKINS AN' ME. 

YES, Hawkins an' me run the law in this town, 
WHien folks can't conclude to ag-rec. 
When one's up a stump, an' he wants to get clown. 
He calls upon Hawkins or me. 

When parties aggrieved go to law fur relief, 

I prosecute — Hawkins defends. 
'F'e calls me a scoundrel, 1 <-aU I'ii'i u thief ! 

But we are the best o' good friends. 

The client cares nothin' fur money or time, 

He'll fight jest ez long ez he can; 
He'll watch an' he'll wait with a patience sul)lime 

An' pay all the l)ills like a man. 

He'll sit by the month on a bench in tlie court; 

(He wants satisfaction, you see) 
He finds the seat hard, but he knows there'll be q>oTt 

\\\ hearin' fruni Hawkins an' me. 

He'll ha'nt my old offis an' hall like a ghost. 

No matter how nuuih he is bled; 
We keep a case fly in' from pillar to post. 

Sometimes till both i)arties are dead. 



80 



LYRICS OF HOME-LAND. 



Ef you an' your neighbor should get by the ear, 

An' feel you can never agree, 
'Fyou've eacli got a farm, tmincumbered an'' deary 

Jest call upon Hawkins an' me. 




'HE'LL WATfU AN' he'll WAIT WITH A PATIENCE SUULIMB." 



THE WTDDER BUDD. 

I'M fifty, I'm fair, an' without a gray hair; 
I feel jest ez young ez a girl. 
'F I think o' Zerubabel Lee, I declare 

It sets me all into a whirl. 
Last night he wus here, an' I told him to " c'lear,"- 

An' my! how supprised he did look: 
Perhaps I wus rash, but he's after my cash, — 
I see thro' his plans like a book. 

Some offers I've hed that I cannot call bad. 

There's Deacon Philander Breezee; 
I'd sartin said l^eSj'when he wanted a kiss, 

Ef 't'adn't so flustrated me. 
It took me so quick that it felt like a kick, — 

I flew all to pieces at once; 
Sez I, "You can go, — I'm not waiitiii' a beau"; 

T acted, I know, like a dunce. 

Sez he, ez he rose, "I hev come to propose." 

I stopped him afore he began: 
Sez I, "You can go, an' see Hepzibah Stow,— 

I wonH be tied dovm to a man.'''' 
"Mariar," sez he, " Widder Tompkins an' me 

Can strike up a barg'in, I know; 
An', seein' ez we can't decide to agree, 

I guess that I better hed go." 

81 



82 LYRICS OF HOME-LAND. 

He picked up his hat from the chair where it sat, 

An' solem'ly started away; 
Sez I, with a look that I'm sure he mistook, 

"You're parfec'ly welcome to stay." 
My face got ez red ez our old wagon-shed, — 

I tho't fur the land I should melt; 
Sez he, " I am done. Good night, leetle one," 

I 'wis/i he'd a known how I felt. 



To-day, Isaac Beers, with his snickers an' sneers, 

Whose face is ez ugly ez sin, 
Drop't in jest to see about buyin' my steers. 

An' tickled the mole on my chin. 
Sez I, "You jest quit, I don't like you a bit; 

Your manners are ruther too free. 
You'd better behave till Jane's cold in her grave: 

You can't come your sawder on me." 

When dear David died (sniff — sniff), ez I sat by his side (sniff — 
sniff). 
He ketched up my hand in his own (sniff — sniff'); 
He squeezed it awhile (sniff — sniff), an' he sez, with a smile 
(sniff — sniff"), 
"You'll soon be a widder alone (sniff — sniff — sniff); 
An', when I am gone (sniff — sniff), don't you fuss an' take on 
(sniff — sniff), 
Like old Widder Dorothy Day (sniff — sniff); 
Look out fur your tin (sniff — sniff) ef you marry ag'iii (sniff — 
sniff), 
Nor thi'ow your affections away (sniff — sniff — sniff)." 



BUCOLIC BALLADS. 



83 



My childeni hev grovvii, an' got homes o' the'r own, — - 

They're doin' ez well ez they can (wipes her eyes and nose); 
An' I'm g-ettin' sick o' this livin' alone, — 

1 wouldn't mind havin' a mai'. 
Fur David hez gone to the mansions above, — 

His body is cold in the ground. 
'Fyou know o' a man who would marry fur love, 

Jest find him an' send him around (smiles serenely). 





MOSES DOLE. 

IN (;i)siiKN niAMOcr. 

OjAA\' st nianii'or, \vli;iart>'r y(> traveliir tew? 
^^ AiT wliaat IV. \('f hi/.iu'ss? Iiaav? 
Kf you'll jist hold on Til ridr with ncou, 
lot' yoou're ^'oitr daowii luy waay. 

1/ tho ol(^ oraay hi>ss yeoirre a drivin' ytM)ur'ti ? 

Ilev yt'i' IxH'ii !!! th.esc ])aarts al'oiH'V 
Bo yoou th(^ IV'IUm- tlu^t lliraaiii Craaiio 

Secnl over tcr Caapcii's store? 

No ? Waal tliet's t-uris. Naow haow did it cuiu 
Tlu't yiM- haappcMi'd this waay (im- stcoi-? 

Ilev y(M- straayed awuay t'roin liiun ter daay, 
Kv iii)t relaashuns here ? 

So y(M' doaut know naawtliiir ei'baiMit tli(\se paarts? 

'rh(-t's (jiu'er enuft" ter kill. 
Aiiit yer nmer lieerd o' Mt)yis Dole, 

Air ther -Ghost o' Bucklin's Mill?" 

'I'Ik^ t'aae' iz, straany-er, thet t'otluM- iiio-ht 

Wo wuz oviM- t(M- "CiosluMi (iaate," 
With a lot o' felliM's, a loahiT raound, 

Till it i^-ot ter be kind o' laate; 
SI 



HIT COLIC BALLADS. 



S5 










86 LYRICS OF HOME-LAND. 

An' when he staartid ter traavel hum, 

Twuz mitey daark an' still; 
An' he got sum scaairt, ez he cum erlong 

Thro' the holler by "Bucklin's Mill." 

Ez he hurri'd acrost the old stun hrido-e, 

In a lively kind o' waay, 
The moon cum aout from the big- blaack claouds, 

An' the holler lit up like daay. 

He whis'led ter keep hiz c'uridge up. 

An' ter show he didn't caare; 
When a Injun waar-whoop, laoud an' long. 

Went screechin' erlong the air. 

He staartid up, like a fri'ten'd pup. 

An' he pitched rite over a log-; 
An' the hair on hiz head jist riz rite up, 

Like the brussles on a hog-; 

Then hop't to hiz feet an' cut an' run 

Like thunder over the hill; 
An' tole the naabors o' all he seed, 

In the holler by " Bucklin's Mill." 

They loadid the'r rusty muskits up. 

An' caallin' the'r dogs erlong, 
Awaay they staartid, ez braave ez bears, 

A couple o' doz'n strong; 



BUCOLIC BALLADS. 87 

But when they got ter the top o' the hill, 

It look't so gloomy b'low, 
Ther' waant a feller, in all the'r craowd. 

Could git up hiz pluck ter go. 

The dogs beginned ter wurry an' whine, — 

Wy! they wouldn't even staay; 
They twistid the'r tails, atween the'r legs, 

An' silently sneaked awaay. 

So, the naabors, they putter'd till niornin' cum, 

An' then went daown the hill; 
The waater wuz rush in' erlong the fleume, 

But everythin' else wuz still. 

An' jist rite over the old stun bridge 

Thaare sot on a big dead tree 
A waallopin' great hoot-aoiol that kep' 

A blinkin' hiz eyes on me. 

Hold up yer hoss, I live rite here. 

My naame ? Wy, bless yer soul, 
Rite over thet hill iz " Bucklin's Mill," 

An' I am Mosis Dole. 




— »'**jf^-. ■' ' 



POPPIN' CORN. 

TTIWUS on a winter evenin', 

-■- The clock hed jest struck nine, 
I sot inside the farm-house, 

With Polly Angeline. 
The old folks both wus sleepin', 

I heard her snorin' sire, 
Ez she an' I wus keepin' 

Awake around the fire; 
While up the chimbley leapin' 

The sparks flew higher an' higher. 

Now she wus jest the sweetest 

O' all the girls I knew; 
An' while I sot aside her. 

The minutes more than flew. 
At last to me sez Polly, 

" Ef we stay here till morn, 
'Twill make the night more jolly 

To pop a leetle corn." 
Sez I, "You're right, I golly! 

Ez sure ez you were born," 

I knew that she wus willin', 
I tho't I jest would melt; 

I'd gin a bran new shillin' 
To told her how I felt. 



BUCOLIC BALLADS. 89 

The corn wiis soon a poppin', 

An' she wus talkin' gay, 
My heart it kep' a floppin, 

But nothin' could I say, 
The corn it kep' a droppin'; 

I wished I wus away. 

At last she took the popper 

An' laid it on the floor; 
An', redder than a copper, 

She went an' shut the door; 
An' then, a minute stoppin'. 

She came a leetle nigher. 
An' whispered, " Du the poppin', 

An' I will tend the fire." 
I felt my heart a hoppin', 

But I wus bound to try her. 

Nex' Chris'mus I wus married 

To Polly x\ngeline; 
An' now we pull together. 

With childern eight or nine; 
They make a heap o' moppin', 

Altho' our house is small, 
An' it jest keeps us hoppin' 

To clothe an' feed 'em all. 
An' now I must be stoppin', 

I hear the baby bawl. 



THE JOLLY OLD BLACKSMITH. 

T'M a jolly old blacksmith, with grizzled hair, 

-I- My face is smutty, I own; 

I'm rough an' tough, but I hev'n't a care, 

I'm able to go alone. 
Clink, clang, clink, clang, clink, clink, clink. 
Plenty to eat an' plenty to drink. 
Rough an' tough an' hearty, you see. 
Wouldn't you like to live like me ? 

I'm a merry old blacksmith: I've chiklern three, 

They're full o' mischief an' fun; 
They're cute an' clean, ez babies can he. 

An' bright ez the mornin' sun. 
Clink, clang, clink, clang, clink, clink, clink. 
Plenty to eat an' plenty to drink; 
Rough an' tough an' hearty, you see. 
Wouldn't you like to live like me? 

I'm a happy old blacksmith, my home is neat; 

T hev no mor'gage to pay. 
My house is snug, an'' my wife is sweet. 

Her temper is alwus gay 
Clink, clang, clink, clang, clink, clink, clink. 
Plenty to eat an' plenty to drink; 
Rough an' tough an' hearty, you see. 
Wouldn't you like to live like me ? 

90 



BUCOLIC BALLADS. 



91 




"I'M ROUGH AN" TOUGH, UUT I HEV'n'T A CARE." 



THE ACHIN' BACK. 

TN the corn-field all the day, 
-*- I've dug an' sweat an' hoed away, 
My back does ache ez if 'twould break, 
An' sech is the fate o' the farmer, O ! 
Sech is the fate o' the farmer. 
The weeds will g-row, 
An' he must hoe. 
Sech is the fate o' the farmer. 









^««^ 






•' in the corn-field all the dat. 
I've dug an' sweat an' uoed away." 



BUCOLIC BALLADS. 



93 



Wlien I see the western sun 
Sink out o' sight, my work is done. 
My wife complains, nor heeds my pains. 
An' sech is the fate o' the farmer, O ! 
Sech is the fate o' the farmer. 
The weeds will grow, 
An' he must hoe, 
Sech is the fate o' the farmer. 

An' at last to bed I creep, 
An' lie all nig-ht, too tired to sleep. 
To start, at morn, back to the corn, 

An' sech is the fate o' the farmer, O ! 
Sech is the fate o' the farmer. 
The weeds will grow. 
An' he mvist hoe, 
Sech is the fate o' the farnuM'. 




MY FATHER'S OLD SCARECROW. 

n\ /f~Y father's old scarecrow once stooil in the corn, 

-'^"-^ An oKl-fashioned scarecrow, absurd an' furhn-n. 

Its legs were but bean poles; its body wus straw; 

The wu'st lookin' scarecrow that ever I saw. 

My father's old scarecrow, his old-fashioned scarecrow, 
His ragged okl scarecrow, that stood in the corn. 

Its featur's were sailer; its aspect wus wild; 

Its eyes never slumbered; its lips never smiled; 

It frightened the bosses, far more than the crows, 

That sat on its shoulders an' pecked at its nose. 

My father's old scarecrow, his old-fashioned scarecrow. 
His ragged old scarecrow, that stood in the corn. 

My father's old scarecrow liez gone to decay, 
A tramp took its trowse's an' wore 'em away. 
Yet of en, in fancy, T see in the corn, 
That ragged old scarecrow, absurd an' furlorn. 

My father's old scarecrow, his old-fashioned scarecrow, 
His ragged old scarecrow, that stood in the corn. 
94 



CROWS IN THE CORN. 

ITT TAKE up, John ! 

' ^ An' come an' milk the cows, 
The robins an' the bluebirds are a singin' in the boug-hs, 

The sun hez been in sight 

An hour above the hill, 
It's time to feed the hosses an' to give the pigs the'r swill. 




^"■|.4-'^ ' 



JOHN. 

95 



!m; 



LYIIIC8 OF HOME-LAND. 



Caw, eaw, caw, 
The crows are in the corn. 

Caw, caw, caw, 
Get up an' blow your horn! 

Caw, caw, caw, 
Ske-daw! ske-daw! ske-daw! 
Crows are jest the meanest thing-s a body wot saw. 

John, come h(nne, 
Ez quickly ez you can, 
O! dro]) your hoe an' leave your row, an' bring- the hired man. 
The cows hev jumped the bars. 
An' got into the rye, 
The j>ig"S are in the garden, they hev broken from the sty. 
Caw, caw, caw. 
The crows are in the cH)rn, 

Caw, caw, caw. 
Get up an' blow your lioi'u! 

Caw, caw, caw, 
Ske-daw ! ske-daw ! ske-da \v ! 
Farmin' is the hardest life a body ever saw. 




THE SECOND WIFE. 

A MELANCHOLY woman lay, 
In sickness, on lier bed; 
An' in a faint an' broken voice. 

To her sad husband said: 
"Dear David, when my earthly form 

Hez turned to lifeless clay, 
O! wait an' weep a leetle while. 

Nor throw yourself away. 
I know a woman, kind an' true, 

On whom you may depend, — 
O! marry Arabella Jones, 

She is my fondest friend." 

"Yes, Mollie, I hev much desired 

To talk o' this afore. 
Fur Arabella Jones an' 1 

Hev tho't the matter o'er." 
"Then you an' Arabella Jones 

Hev been too smart an' sly, — 
I tell you, David Wilkinson, 

Pm not a goiri' to die.'''' 
Her dark eyes flashed, her strength returned, 

She left her bed o' pain, 
A week hed hardly passed away 

When she wus well again. 

97 



SONGS OF NATURE. 



BIRD SONG. 

r I ^HERE'S a choir of happy voices in the woodlands sweetly 
-■- sing'ing-; 

Out amid the apple blossoms we can hear them all the day, 
And with glad and joyous music all the leafy boughs are ringing. 
Gayly sing- the summer song-birds. How we wonder what they say. 
" Twitter, twitter, twiddle, twiddle," 
Like a flute or like a fiddle; 
" Pee-wee, pee-wee, see, see, see me, see me twitter all the day. 
Clinkum, clinkum, bobolinkum. 
Chirk, chirk, chirk, 0! whiskodinkum, 
Twit, wit, wit, wit, cheer up, cheer up." How we wonder what they 
say. 

While we look and while we listen we can see their plumage glisten 

In among the lilac bushes, down amid the tangled grass, — 
Perched on hollyhock and thistle, we can watch them while they 
whistle, — 
They go whirling by the window, loudly chirping as they pass. 
" Twitter, twitter, twiddle, twiddle," 
Like a flute or like a fiddle* 

0!) 



100 



LYKICS OF HOME- LAND. 



" Pee-wee, pee-wee, see, see, see me, see me twitter all the day. 
Clinkum, clinkum, bobolinkum, 
Chirk, chirk, chirk, O! whiskodinkum, 

Twit, wit, wit, wit, cheer i;p, cheer up." How we wonder what they 
say. 

Round and round the farm-house flying, sweetly sing-ing-, loudlv 
crying-, 
Warbling- 'mid the trembling- tree-tops, we can hear them all the 
day ; 
While the morning- lig-ht is breaking-, while the drowsy world is 
waking-, 
Gayly sing- the summer song-birds. How we wonder what they say. 
" Twitter, twitter, twiddle, twiddle," 
Like a flute or like a fiddle; 
" Pee-wee, pee-wee, see, see, see me, see me twitter all the day, 
Clinkum, clinkum, bobolinkum. 
Chirk, chirk, chirk, O! whiskodinkum." 
Gayly sing the summer song-birds. How we wonder what they say. 







SUMMER IS GONE. 
"we all do fade as a leaf." 

SUMMER is gone, and the flowers are d3-iiig; 
Coldly the clouds 'round the mountain-tops play; 
Over the hillsides, the autumn winds sighing, 
Scatter the leaves of the woodland away. 
Withered the lilies lie, — 
Sadly the robins cry, — 
Homeward the swallows fly, — 
Winter is near. 

Orphans are crying and widows are weeping. 

Strong men are crushed by their sorrow and care, 
Mothers are moaning for little ones sleeping 
Under the willows, now leafless and bare. 
How soon we all grow gray, — 
How fast we pass away, — 
How like the leaves decay, 
Year after year. 
101 



THE VILLAGE BELLS. 

/^NCI^^ nuire, once more, my native shore 
^-^^ In Ix-auty g'reets my y-aze: 
Again I walk the cottage floor, 

'Vo (lr(>am of hyo'ono days. 
The K>aves are brii;lit with silx'er light, 

And through the (>vening- air 
Oiu'e more 1 hear the village bells, 
'I'liat sound tht> hour oi praver. 
Tolling, 1- filing, 
Twanging, elang-ing, 

At the elose oC day; 
()\m- hill and hollow sounding', 
Fi'om rock to rock rebounding, 
Their echoes die away. 

eluMM I'ul chimes of better times ! 

I'm growing old and gray, 
My I'tH^t, through other lands and elimcs, 
Have wanchMvd I'ar awav; 

1 gladly hear your carols clear 

In many a joyous strain; 

You come like nnisic to my ear 

To greet me home again. 

Tolling, lolling. 

Twanging, clanging, 

102 



SONGS OF NATURE. 

At the close (}{ day; 
O'er hill and hollow sounding', 
From rock to rock rebounding, 

Your echoes die away. 



103 




^v^CV 






D 



THE THUNDERSTORM. 

OWN the mountains darkly creeping-, 

Through the woocUands wildly sweeping, 
T he st i2ini__bursts o n th e land. 
The rain is pouring, 
The wind is hnidly roaring 
In tones sublime and grand. 
Flashing, crashing, growling, grumbling, 
Rumbling, rumbling, rolling, rumbling, 
Comes the thunderstorm. 

Round and round the birds are flying, 
Loudly screaming, sharply crying; 
They fear the falling rain. 
The windows rattle, 
The frightened sheep and cattle 
Come leaping down the lane. 
Flashing, crashing, growling, grumbling. 
Rumbling, rumbling, rolling, rumbling, 
Comes the thunderstorm. 

Soon the mountain-tops glow brightly, 
And the raindrops patter lightly 
Upon the roof o'erhead; 

The sunbeams tender 

Break through the clouds in splendor, 

104 



SONGS OF NATURE. 



105 



The tluuHlcr.storin has ihMh 
Flashing, crashing, growling, grumbling, 
Rumbling, rumbling, rolling, rumbling, 
Dies the thundei'storm. 




"down the mountains daukly creeping, 
tiiuouoii the woodlands wildly sweeping, 
tub stokm bursts on the land." 



Till': MOINTAIN STKl'LVM. 
nv /TMl^MinMNCJ stiviun, 

-^ ' -*- Hrii^'litly voti l)c;iMi, 
'riii'()iii;'li the fair valleys vnii oTistcii and i^K'aiii, 

l"'i(>m (he i;r('(Mi hills, 

I'^roiii tli(> cKmi' lills, 
Tuniinn- I he wliccis of the mossy old mills. 

Murmurmn' st ream, 
( I lidc oil voui' way; 

(ililliM- and li'h-am, 
I >a V al'lcr day ; 
Lea)) (lii'ouL!,li (lit" \alt"s; laiiii'li in your ii'l(M^; 
(<i-i'('t tlu> wild oaK's ol' (1k' i'at lioiuloss sea. 



Patter and prance; 
(ilimmer and i;lane(>; 
l)own ( liroiii^li (lie hollows delin'ht i'ully daiu'o; 
'rremlili> and i;low ; 
K'ipple and llow ; 
Bv tho luiuht l)anks where the wild willows o-nnv. 
Muniiurinu,- stream, 

(ilide on voiii' way; 
(ilitter and <ileam, 
, Day after day; 
Loap tlirouivh the vales; laui;li in yi>ur o-l(>e; 
(JrtM't the wild ij-aK^s of the falluMiiless son. 
lOf. 



O! BRIGHTLY BEAM. 
I. 

ABOVE tho hills, tlio inooiibcains <>-low, 
Beyond the fields oi' shining- snow. 
Tho cloudless night is cold and clear, 
The leaflc^ss woods look daik and drear. 
Along the air the slei^hix'lls ring, 
"While happy voices sweetly sing: 
"Oh, brightly beam, with silver light, 
The boughs are bare, tlie world is white, 

Beam on, bcuim on. 

From dusk till dawn, 
Beam on, O silver moon ! beam on." 

II. 

The evening wind blows soft and low, 
Amid the trees the moonbeams glow, 
The summer night is warm and clear, 
The distant whip-poor-will we hear. 
The t/embling leaves with beauty gleam. 
The starbeams dance upon the stream: 
"Oh, brightly shine, with silver light. 
The world is green, the hills are bright, 

Shine on, shine on. 

From dusk till dawn. 
Shine on, O silver moon ! shine on." 

107 



A WINTER SONG. 

WE woke in the morning-, and found, without warning, 
The meadows and liillsides were white with the snow; 
It came all unbidden, the brooklet was hidden 
And hushed in the hollow below. 

Softly, silently, white and fair, 
Floating along- through the frosty air, 
Swirling, whirling, 

Shifting, drifting, 
Came the glittering- snow. 

A poor little robin stood silently bobbin' 

His wee little head in a pitiful way; 
The chickens, with wonder, stood solennily under 
The homely old shed o'er the way. 
Softly, silently, white and fair, 
Floating along through the frosty air, 
Swirling, whirling. 

Shifting, drifting, 
Came the glittering snow. 

The north wind was blowing, the cattle were lowing. 

The poor sheep were bleating about the old shed. 
The horses were neighing, all seemed to be saying: 
" We want to be sheltered and fed." 
Softly, silently, white and fair. 
Floating along through the frosty air, 

108 



SONGS OF NATURE. 



109 



Swirling, whirling, 

Shifting, drifting, 
Came the glittering snow. 




^ ^^^^^^^W^l^f^^<^^ 



•SOFTI-T, SILENTLY, WHITE AND FAIR, 
FLOATING ALONG THROUGH THE FROSTY AIR.' 



SONG OF THE WOODCIIOPPER. 

/^~\UT in the bleak, cold woods he stands, 
^-^ Swingino; his axe with sturdy hands; 
Sharply the blue-jays near him call. 
Softly the snow-flakes round him fall; 
Gayly he sings, 
As his axe he swings, 
"What care I for the ice or snow, — 
Here away, there away, down you go." 

Loud the winds through the tree-tops sigh; 
Far the chips from his keen axe fly; 
Fiercely the tree-trunks, gray and brown. 
Totter, sway, and come tunibling down. 
Gayly he sings, 
As his axe he swings, 
"What care I for the ice or snow, — 
Here away, there away, down you go, 

"There's time to work and time to skn^j); 
There's time to laugh and time to weep; 
The chips must fly, the trees must fall 
To feed the fire that warms us all." 
Gayly he sings, 
As his axe lie swings, 
" What care I for the ice or snow, — 
Here away, there away, down you go." 
no 



ROLL, AVAVES, KOLL. 

I STAND upon the sombre shore, I watch the leaden sky, 
I see the stonn-clouds coming, and the; tall white ships go by; 
Tlie sea-gulls on their restless wings are hurrying to and fro, 
The- waves are wildly beating on the ragged rocks below. 

The sky grows d#I'k, the night comes on, the wind begins to roar, 
The lightnings flash, the thunders crash along the trembling shore; 
The wrecks are beating on the strand, the signal lights I see,— 
Heaven ! keep my darling from all harm and bring him home to me. 

Roll, waves, — roll, waves, — wildly roll away, 
Leap along the sandy shore, white with foam and spray; 
Blow, winds, — blow, winds, — softly o'er the sea, 
Bring my darling home again, — home again to me. 




'•BLOW. WINDK l-.l'iw \W.M>S.- POFTI.T O'ER THE SEA. 

BRING MY DARLING HOME AGAIN.- HOME AGAIN TO ME." 



LAUGHING SOXG. 

AN IMITxVTION OF TEXNYSOX. 

I COME from fields of frost and snow, 
My winding way I follow; 
I come from whei'o the wild-woods grow, 

I come from hill and hollow; 
I foam, T flash, 1 leap, I dash, 

I glide with music merry 
O'er pebbles bright with rainbow light. 
Along the lonely prairie. 

Minne-ha-ha, Miinie-ha-ha, 
Laughing, laughing Minne-ha-ha; 
Minne-ha-ha, Minne-ha-ha, 
Ha, ha, ha, ha, ha, ha, ha, ha. 

I tremble on the rocky brinks 
Mv winding way I follow; 
I gleam, I pause, I plunge, I sink 

Into the hidden hollow; 
T loudlv roar along the shore, 

T sparkle and T quiver, 
I rush along with laughing song 
To greet the mighty river. 
Miinie-ha-ha, Miinie-ha-ha, 
Laughing, laughing Miiuie-ha-ha; 
Minne-ha-ha, Minne-ha-ha, 
Ha, ha, ha, ha, ha, ha, lia, ha. 

112 



E' 



ALPENA. 
I. 

ING the bell slowly, — 
Humble and holy 
Feels every heart, filled with anguish and gloom; 
Ring the bell d(;lcfully, 
Tearfully, soulfully. 
Prayerfully, carefully 
Over her tomb. 



Brightly the sunbeams were gleaming and glancing, 
Gayly the billows were bounding and dancing. 
Soft were the winds and delightful the day. 
Bearing her throng- 
Proudly along, 
Out from the harljor she went on her way; 
Trembling and plashing, she passed from the shore; 
Fading from eyes that would greet her no more. 

II. 

Look at yon clouds through the dark heavens gliding; 
See the white foam on the tall billows riding: 

Hark to the creak 

Of timbers within! 

Hear the winds shriek! 

(), list to the din 
In the air, all around, as she rattles and rolls, 
As she breasts the broad waves with lier burden of souls. 

113 



114 LYRICS OF HOME-LAND. 

Must they die ? 
How they cry! 
Voices in prayer! 
Shrieks of desj^air! 
Down in the trough of the sea, with a crash, 
She quivers, shivers, and sinks with a plash; 
Battered, shattered, scattered, and wliirled 
Into darkness, out of the world. 

III. 
Softly the sunshine is gleaming to-day, 
Peacefully glide the white ships on their way. 
Many are hopefully watching, with sorrow. 
Tearfully waiting for loved ones to-morrow. 
Dear ones whose voices will gladden the soul 
Only where waves of Eternity roll. 
Pity the fatherless. 

Pity the motherless. 
Pity the sisterless, 

Pity the brotherless. 
Comfort the strong man by sorrow made wild. 
Comfort the mother who mourns for her child. 



Ring tlie bell slowly, 
Humble and holy 
Feels every heart, filled with anguish and gloom; 
Ring the bell dolefully. 
Tearfully, soulfully, 
Prayerfully, 
Carefully 
Over her tomb. 



THE BANKS OF THE MOHAWK. 

ODARK rolling river, majestic and free! 
You bring back the brightness of boyhood to me 
When gayly I wandered along your wild shore, 
With one I loved fondly, who loves me no more. 
By the banks of the ]\Iohawk, 

The cataracts roar. 
Where we wandered in childhood 
Along the wild shore. 

The song birds have vanished, the summer is o'er. 
The roses have faded, that bloomed by her door; 
The elms and the maples stand leafless and drear; 
The snow-flakes are falling, the winter is here. 
By the banks of the Mohawk, 

The cataracts roar. 
Where we wandered in childhood 
Along the w^ild shore. 

The hopes of her girlhood have flown far away; 
Her bright auburn tresses are faded and gray; 
Her beauty has vanished; her features, once fair, 
Are saddened by sorrow and furrowed by care. 
By the banks of the Mohawk 

The cataracts roar, 
Where we wandered in childhood 
Along the wild shore, 

115 



116 



LYRICS OF HOME-LAND. 



Oui" childhood is g'ouc; we are drifting to-day, 
Like leaves on the river, forever away; 
We're leaving- the years, and are nearing the shore, 
Where storms never beat and no cataracts roar. 
By the banks of the Mohawk 

The waters may roar 
Forever and ever, 

Alono- the wild shore. 




'^P.U 




SOFTLY FROM THE I^URPLE CLOUDS. 



S' 



OFTLY Iroin the purplo clouds, 
Thi-oui^'h the uiild and bahiiy air, 
Gleams the golden sunshine down, beautiful and fair. 
Gently, from an April sky, 

Fall the pearly drops of rain; 
Bringing gladness to the ground; bringing spring again. 



So, within the liuiuan heart, 

Through the cheerless clouds of care, 
Hope, with heavenly light, looks down, beautifid and fair. 
.Joy and gladness come again; 
From the soul all sorrow flies; 
And- the darkness disappears, as the winter dies. 




.S?'-, 




'GENTLY. FROM AN AI'IUL SKY, 
FALL TUB PKAIILV UKOPS OF BAIN." 







T\46 



^CcfVOPf^-^ 



SOCIETY SKETCHES. 



"A KISS IN THE DARK." 

HE was a gay young bachelor, — 
His name was Hiram Greene, 
He loved a charming city belle, 
Called Amarilla Keene. 

He whistled operatic airs, 
And he could softly play 

Upon the flute and violin. 

And ''Parly-voo-frowj-say:' 

He had the costliest kind of clothes; 

He bore a stylish cane; 
He wore a iM-illiant diamond pin. 

And massive golden chain. 

She danced in silks and satins gay, 

At fashionable balls; 
And in a glittering coupe 

She shopped and made her calls. 
119 



Il>0 



\j\ \: U'S OF II OM K-LA ND. 



lSlii> swept ;i(l()\vii (lie dusty pave 

With ;i inMJrstic' ;iii-. 
Amid tlic i;;i_v ;iiid l)rilli;iii! crowd 

Tlmt (lirouii-cd the t Iiorouo'liI'Mro. 

And if sduic little l)(>y'>4-;ir-^'ifl 

A pciiiiy cliMiu'cd to iTinc, 
It \v;is ;i piteous sii^lit to S("(> 

'I'lio look ol' si'oiii slic <i,';i\c. 

Slu> lov(>d to talk of hrit'-d-hrite 

And docoi'at i\ (> art ; 
iSlie tlnauuuHMl and lununu'd the \voiulrou« uirs 

or Cliopin and Mozart. 

She \vori> a "Sai'atou'a \vav(\" 

'l\) liiiU> her scant \' liaii-; 
And on a vchi-t hassock pi'avcd 

W licn(>\M' she kiieh in prav(>r. 

Slic had a paii' of poodI(>-don-s, 

With which she I'ondlv pla\ed; 
llcr pui'se-pioud tatlier deaU in hoo-s 

I 'i)on t he l>oai-d o{ 'I'raih'. 



^^ hat wond(M' that youni;' llirani (inuMie 

(X't' i'aini> to Iier ahoileV 
llcr love lu^twecn tlu^ doii's and hiiu 

Was ecjually liestowi'd. 

On Sundays, when the twinklinu,- stars 
Boii'an io beam above. 



SOCIETY KK KTCII KS. 

Il(; liastciicd down the Avenue 
'I'o cjill ii|i()ii l)is love. 

Slic! Coiuliy wailed a( llic door 
'I'ill Hiram did appear; 

lie <lid not miss a \vel<^oni(! kiss 
When no one clso was near. 



121 



One daik and rainy aul unni-ninlil, 

When Hiram eain(! to call, 
The house was dim, — no clieerlu] li^^ht 

Was i>-leaininj^ in the hall. 

He lieard a sound u])on the stairs 

Of footfalls comin<^ down, — 
Then in tlu; s])afious vestibule, 

'I'lie rustlino- of a ^-own. 

And then he thou^-ht he stood Ixd'ore 

The t)ein<i- he loved best, 
And, reaehin^- out his manly arms, 

lie clasp(!d her to his breast. 

"Oeh! Murther; Auo-h! PUnx lit >//c il<> ! 

l'i,AZK i.rr Ml': <;o! I say; 
Ye, spal[)een yiz! the loike o' this 

I iiivar saw tln^ 'kiy!" 

The ^-aslif^Hit j;-leame(| within the liall; 

Tt n(!eded but a look 
For riirarn Greene to eompicliend 

That ha lut<l kh^cd I In- cook! 



SHADOWS O^ THE CURTAIN". 
I. 

I AM a bachelor merry and gay, 
^Yith nothing- to trouble me here. 
I have seen at a window, just over the way, 

The changes of many a year; 
When the curtain is down, at the close of the day, 
There are shadows that often appear. 
Shall I tell you the story? Ah, well! you will find 
It is only a tale of the commonest kind. 

I was romantic and young, — you may smile, — 
A very "Beau Brummell" in manner and style; 
My features were ruddy, my teeth were like pearls; 
I was handsome, and fond of the beautiful girls, 
Till an incident happened I faintly recall: 
I loved and I lost, but I lived through it all. 

What comfort it was, in those moments of gloom, 

As I sat in the shade of my desolate room. 

When my labor was done, at the close of the day, 

And gazed at that window just over the way, 

Where a pair of young lovers, devoted and true. 

Had built them a nest, and were hidden from view. 

The curtain was down, and nobody could see; 

But their "tattle-tale" shadows presented to me 

Such pictures of rapture, of joy and delight, 

T forgot my own grief at beholding the sight. 

122 



SOCIETY SKETCHES. 



123 



I am a bachelor, merry and gay; 

I've toiled and have prospered in trade; 
My wishes are heeded, my servants obey; 

My bills are all settled and paid. 
There's nothing- on earth that I know of to-day 

To trouble or make me afraid. 



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"1 FOUDOT MY OWN GKIEF AT BEHOLDING THE SIGHT." 



Many months passed away; many changes and cares 
I could see, o'er the way, in my neighbors' affairs; 
Their kisses grew scanty, their curtain unclean. 
And seldom together the lovers were seen. 
Then came o'er that curtain new forms of delight, 
Like imps in a bottle, that danced in my sight. 
Some chidings, low spoken, were brought to my ear, 
That I was reluctant and sorry to hear; 



124 



LYRICS OF IIOJrE-LAND. 



And loud cries of cliildren in rage and affright 
Were wafted away on the winds of the night. 
There were shadows of cares that were novel to me, 
That made me rejoice that my spirit was free, 
That my life was untrammelled by fettei's and bars. 
That my peace was unbroken by family jars. 




" TUEN CAME 0"EU THAT CURTAIN NEW FORMS OF DELIGHT." 
III. 

I am a bachelor, merry and gay, 
With no one to love Init myself; 

I know I am old, I know I am gi'ay, — 
I've plenty to eat on the shelf. 

My nephews and nieces are kindly to-day; 
They love me, and long for my pelf. 



The window is clown, but my neighbors ai'e there; 
The lover is living, without any hair, — 



SOCIETY SKETCHES. 



125 



His iniig-lets have vanished and gone to decay, 
For fingers, once loving-, have plucked them away; 
And his sliadowy head, both behind and before. 
Is as smooth and as bare as the knob of a door. 
The daughters are married, the sons are all grown 
The lovers are left in tlie mansion alone, 




'•I SEE HER TKIUMPIIANT, I IJEAU HEIl COMMAND." 



And sounds of contention are brought to my ear, 

Discordant, unpleasant, and frightful to hear. 

I see her triumphant, I hear her command, 

I see him submit at a wave of her hand; 

And the sounds that I hear and the sights that I see 

Bring comfort, delight and contentment to me. 

For the icornan. I loved is still living to-day, 

TJie wife of my neiyhbor just over the loay. 



A RETROSPECT. 

STIE lived in a marble mansion, 
On a stylisli avenue; 
She I'ode in a handsome cari'iage, 

And sat in a costly pew; 
] dwelt in a dins:;'y olFioe, 

My prospects all looked drear, 
For 1 was a jwor law student. 
On seven lumdrcHl a year. 

I pu/zlcd my brain with " Blackstone," 

And cheerless " Chitty " I read; 
With love and law, connningled, 

1 lilled my hollow head; 
She talked of " Monte Christo," 

And, when I mentioned "Coke," 
She said she always liked //, 

" Because it made no 6v;/c>/i'c'." 

So she became my " angel," 

She haunted my working hours, 
And, when 1 wandered in dreamland, 

She streweil my path with llowers. 
Then T was ho])orul and happy, — 

A glance of Iior tender eyes, 
Oi' a touch of her trenudous fingers, 

And 1 was in Paiadise. 
I'M 



SOCIETY SKETCHES. 

Her voice was tlie sweetest music 

That fell upon my ear; 
Her liands were small and slender; 

Her skin was soft and clear; 
Her teeth were white and pearly, 

And nothing could compare 
With the bright and wonderful beauty 

Of her glorious golden hair. 

It is only retrospection, 

A dream that has passed away. 
Both have grown older and wiser. 

Both are a trifle gray. 
Her golden curls have vanished. 

And now she wears, instead, 
A little tuft that is yellow, 

Tied up on her tangled head. 

She married her " Monte Christo," 

In the most romantic style. 
And they joggle along, together, 

With neither a joy nor smile, 
Nor think of the love and beauty 

Their fancy once made so fair, 
Ere romance was household duty, 

And pleasure was earthly care. 



127 



"RAGS-NOL-IRON." 

A I'AKODY. 

rr^IIE eastern sun was rising' fast, 

-*- As slowly down the street there passed, 
AVith strengthless pace, a man alone, 
AVho shouted, in a doleful tone, 

" Kags-nol-iron." 

His dusky bi-ow was low and square, 
O'ero-rown with bristlini;' shoe-hi-ush hair. 
And, like a broken cow-bell, ''rung'" 
TJie accents of his tiuie-woin tong'ue: 
" I\ags-nol-iron." 

He saw the breakfast lires agleani; 
He suielled the kitchen's savory steam; 
And, as lie slowly shuffled l)y. 
He drew a deep and hungry sigh: 

" Rag's-nol-iron." 

"Here, shut this gate," an old man said, 
As down the street the fellow fled. 
But all in vain he falteiing cried, 
A ))lock away that voice rt'plied 

" Rags-nol-iron." 
123 



SOCIETY SKETCHES. 



129 



" Augh, shtop your n'ise," old Bridget screams, 
" Ye'll wake me misthress from her dhreams; 
The ould cloase all belongs to me. 
Whisht now! Arrah be off wid ye 

' Kaffs nould iron.' 




"■ HIS DUSKY BROW WAS LOW AND SQUARE. " 

"Tak' 'ar' the dog. O'ill sit 'im on, — 
Here Toige! — Ah, faix the man is gone." 
The creature made a quick retreat, 
His voice was heard far down the street, 

" Hairs-nol-iroii." 



130 LYIMCS OF HOME-LAND. 

All (lay lie waiuKMvd u}) ami clown 
The streets and alleys of the town; 
All (lay the dusty, sunniier aii" 
Kesounded with his ]>laintive ])raver 

" liags-nol-ii'on," 

At set of sun, the noisy knave 
Still stagg-eri'd down the dusty ]iave, 
And liiccoug'hed, in a tipsy strain, 
Tlie same nionotonous refrain: 

" Hic-nrags-nrol-iron." 

At dawn of day the man was found 

Within I lie loek-up, snug and sound; 

Therc> in tiie saw-dust, t)n tlu^ floor, 

He kept rej)eatino-, o'er and o'er, 

" Kai>-sh-nrol-niron,- 
Nrag-sh-nol-niron." 

riis shoes were gone, his head was bare, 
His garments torn beyond repair, 
And, from his upturned, ruby nose. 
This wheezing" supplication rose, — 

"''rr-r-i--ragsh-n-n-niol-i'-r-i'iron.''' 



THE WORKMAN'S SONG. 



B' 



I. 

(FJEAD, l)i-(';i(l, broafl, 

It is litllc tliat I crave; 
A slielter wliorciii to lay iiiy head, 
And nToiiiid for a coiniiioii i>-rave. 

The wolf liowls at iny door, 
And my hun<>'ry childron cry. 
While wealth and ])ride sit side by side 
In tlieir carriage rollinfr by. 

W^ork, w(jrk, work. 
Oh! o'ivc iiic a spot of soil. 
A spade, a hoe, oi' a scythe to mow, 
And something- for my toih 

n. 

Bread, bread, l)read, 
Is the cry of wild despair, 
Of men who luive toiled by the furnace fij'es, 
And women who once were fail- 

The cry of beggary comes 
From the lands beyond the seas. 
And millions, woi-n by toil, must mourn, 
That a few may live at ease. 

Work, work, work. 
Oh I give me a spot of soil. 
A spade, a hoe, or a scythe to mow, 
And something for my toil, 
i.'ji 



132 LYKUS OF II0:\[ELAND. 

HI. 

Broad, broad, broad, 
A world in its bondauv calls, 
^^"hilo robborv bold, oroojis uiuMiitrollod, 
Through tho Xatioirs statoly halls. 

Thoro ai-o luou of wealth and power, 
^^'ho are rotten to the core; 
And laws are made the rioh to aid, 
And to plunder the worlhy poor. 

Work, work, work. 
Oh! give me a spot of soil. 
A spade, a hoe, or a seythe to mow, 
And soniethinii" for my toil. 

IV. 

Rread. bread, bread. 
May we lind no work at all ? 
The mills of God may be slow to grind, 
" Hut they grind oxeeeding small." 

Tho wheels go rouuil and round: 
Their rattle is never still: 
And fraud and orinio. in Heaven's good time, 
Must take their turn in the mill. 

^^'ork, work, work. 
Oh I give mo a spot of soil. 
A spade, a hoe, or a seythe to mow, 
And something for mv toil. 



THE DEBATING SOOTETY. 

AN old wooden scliool-house, worn, battered and brown, 
Still stands on a liill, in a New IIaui])sliire town. 
Its rafters are rotten, its lloor is decayed. 
The chinks in its ceiling- by children were made; 
Its benches are broken, its threshold is worn. 
The nia])s on its walls are discolored and torn; 
Its rickety desk, its tall, splint-bottomed chair, 
And old-fashioned stove are all out of repair. 
Forlorn and forsaken, and left to decay. 
It stands on the hill-top, a ruin, to-day. 

Here met, long ago, on one evening in seven, 

The rustic wise-acres " o' deestrict eleven," 

For social amusement and earnest debate 

On questions of freedom, of iinance and state. 

Here gathered the neighbors, all gayly together, 

To talk of the times, of the crops and the weather. 

Here came the "old fogies," in coats of dark l)lue; 

The matrons who whispered of things that tlu^y know; 

The bashful young boys, with their sleek shining hair; 

The bright blushing girls, who they thought were so fair; 

And many dark spinsters, forbidding- and cliill, 

Who frowned at "those; childern, that wouldn't keep still." 

'Twas Saturday night, and the weather was clear; 
The sleigh-bells were ringing, delightful to hear; 

13.3 



134 LYRICS OF IIO.>[E-L.\ND. 

The moonlight illumined the hollow below, 

And glistened and gleamed on the "beautiful snow," 

AVhile floated away, on the cold, frosty air. 

The curling white smoke from the farm-houses there. 

Before the old school-house, secured in a row. 

The horses Avere pawing and tramping the snow. 

A warm fire burned bright in the old-fashioned stove. 

The light from the candles gleamed out through the grove. 

The school-room was filled with " tlie pride 'o the place," 

And pleasure was seen on each mirth-beaming face. 

Squire Sollit was "chosen to sit in the chair"; 

He walked to the desk with a dignified air. 

And, fixing his eyes on the ceiling o'erhead. 

He sat, for a time, thinking wliat should be said: 

Then, placing one hand on his smootli-shaven chin, 

He pushed back his chair and arose to begin: 

"A-hem!" 
The room had grown still, not a whisper was heard. 
All listened to hear his first audible word: 

"A-ha! a-hem!" 
He quietly clasped his huge hands on his chest; 
He twirled his thick thumbs o'er his black satin vest; 
And, wagging his round," shining, comical head. 
He drew a long breath and then solennily said: 

" A-ha ! a-hem ! Ladies an' Gentlemen an' Feller Citizens, 
a-ha! a-hem!" 

A little girl giggled, a staid spinster frowned; 
He suddenly stopped, and looked gravely around, 
And tlien, quite confused, without purpose or plan. 
He grasped the old desk, with botli hands, and began: 



THE DEB AT I XO SOCIETY. 135 

"A-lia! a-heinl a-liasi ^1 said afore-a-hem! Ladies an' Gen- 
tlcnieii aif Fellei- Citizens, a-lial a-lieiul we liev come to-gether this 
evenin' fur the puppus o', a-ha! a-heni! or ruthur fur the ostensi- 
ble puppus o', a-ha! a-heni! suppressin' the press, an' the a-ha! 
a-hem! a-hevils o' the press w'ich is becomin' so, a-ha! a-hem! 
'pressive. 

"A-ha! a-hem, Ladies an' Gentlemen an' Feller Citizens, the 
press, an' the a-ha! a-hevils o' the press is ie-comin' very, a-ha! 
a-hem! 'pressive — 'pressive to, a-ha! a-hem! you an' 'pressive to, 
a-hal a-hem! me; an', t/iere-hre, his to be Ao-ped that you will 
take the best means o' suppressin' the, a-lia! a-hem! press an' the, 
a-ha! a-hevils o' the, a-ha! a-hem! press w'ich is Z'C-comin' so, a-ha! 
a-hem! 'pressive. 

"A-ha! a-hem! Ladies an' Gentlemen an' Feller Citizens, 
a-ha ! a-havin' considered the subjec', a-ha! a-havin' giv' you my, 
a-ha! a-huU idees o'nt, a-ha! a-havin' showed the ?/e-cessity o' sup- 
pressin' the, a-ha! a-hem! press an' the, a-ha! a-hevils o' the, a-ha! 
a-hem! press, w'ich is be-comin' so 'pressive, I leave the, a-ha! a-hem! 
press an' the a-ha! a-hevils o' the, a-lia! a-hem! press to the debate 
o' those app'inted fur the, a-ha! a-hem! pup]ius. 

He drew his silk iiandkerchief forth from his hat; 
He wiped his moist features and downward he sat; 
Forj^etting- his ciiair had been pushed to the wall, 
He sank to the floor with a terrible fall. 
The old school-house trembled, from rafter to sill. 
Above the old desk, near his overturned seat, 
Arose the great soles of his picturesque feet 
Like haystacks, that stand on the brow of a hill. 
He leaped to his feet, with a scratch on his nose, 
And asked, in a quiet but crestfallen way: 



136 LYRICS OF IIOJIE-LAND, 

" Hez nobody present got nothin'- to say? " 
Then modestly hushed the applause tlmt arose. 

Soon young Peter Plumsted attempted to speak; 
His "accents" were low, and exceedingly weak; 
He twisted his fingers, he shuffled his feet, 
His plain, nervous features " turned red ez a beet," 
He fastened his eyes on a crack in the floor. 
He stood in confusion, a minute or more. 
With quivering lips, and with shivering knees. 
And faltered in fright, "a few feeble idees." 

" M-Mr. Chairman, T-I told ou-our folks ef they'd co-come 
to-to this me-meetin' to-to-night th-that I-I would speak to-to this 
me-meetin' to-to-night, an' so ou-our folks co-come to this me- 
meetin' to-night, an' ez I-I told ou-our folks that I-I would speak 
to-to this me-meetin' to-night, T-T am goin' to-to speak to-to this 
me-meetin' to night. Ou-our folks is here to-to this moetin' to- 
night, an' other fo-folks is hero to-to this meetin' to-to-night. 
Wh-what I wus goin' to-to say wus, that ou-our folks-a-what I 
wa-wanted co say wus that ou-our folks, a-with th-these f-few re- 
marks I-I co-coincide with your views." 

He might have said more, had not Solomon Creech, 
Who stuttered and stammered sometimes in his speech, 
Arose with a smile on his " rubicund face," 
And struggled to tell what he thought of the case. 

"Mr. P-p-p-p-p-Mr. P-p-p-p-p-Mr. P-p-]>p-p-W-w-w-w-why-Mr. 
P-p-p-p-p." 

He sank to his seat with a look of dismay. 

The words would not come that he wanted to say. 



THE DEBATING SOCIETY. 137 

A sturdy young- farmer, with coarse tawny hair, 
Arose to liis feet, with a curious stare. 
And, scratching- the top of his ponderous head, 
He turned to the chairman and earnestly said: 

''I doant b'leeve in s'pressin' on the cider-press, coz ef I did, 
what 'ud I du with my appels. Hey? Ef we went to s'pressin' 
on tlie cider-press, what 'ud we du fur cider? Ef we didn't hev 
cider, wliat 'ud we du fur b'iled cider? Ef we didn't hev b'iled 
cider, what 'ud we du fur appel sass ? Life 'thout appel sass 'ud be 

" Ez like a schooner 'thout a sail; 

Ez like a comet 'thout a tail; 

Ez like a fiddle 'thout a bow. 

Or like a winter 'thout a-a-a snow." 

Then old Deacon Barlow, who could not restrain 
His thoughts on the subject, arose to explain: 

" Neighbor Pettibone, we wa'nt a talkin' on the cider-press, 
we wus a talkin' on the printin' press." 

Then followed a pause of five minutes or more, 

Till Israel Hubbard walked out on the floor. 

He grasped the lappels of his ancient gray coat: 

He soberly cleared his unmusical throat, 

And, raising his voice to a high nasal key, 

He made a great "pint" that but few failed to see: 

"Mis— ter Maw-derater, this ere suppressin' the press, ray- 
minds me o' the pary-bel o' the ten var-gins, who got an in-vite 
to a big wed-din' in the scrip-tur's. Five ware wise, an' five ware 
fu-lish. Five tuk ile an' five tuk no ile. An' the hull ten went an' 



138 LYRICS OF HOME-LAND. 

sot down on a big' stun by the bride-groom's door. Binie-by they 
looked up an' seen tlie wed-din' a comin\ an' the five that tuk ile 
riz up, ht a match, an' lit the'r lamps ; but the five that tuk no 
ile did-n't get up, did-n't light a match, an' did-n''t light the'r lamps: 
an' then the five that tuk no ile, sez to the five that tuk ile: 'give 
us o' ile,' but the five that tuk ile, sez to the five that tuk no ile : 
' we shell not give thee eny ile, leastwise, we won't hev eny ile 
fur ourselves.' My Friends, ef we go to suppressin' the printin' 
press ^oe won't hev eny light fur ourselves." 

Being moved by the spirit, a Quaker, in gray, 
With two tones in his voice, then proceeded to say: 

"Yea, verily brethren; Yea, verily sisters; Yea, verily all an' 
each o' you, the spirit urgeth an' beseecheth me to say that there 
is a great deal o' human natur' in mankind, especially the wimmin." 

The Quaker sat down, and old Ichabod Pease, 
Exclaimed, without rising, " Theni's solid idees." 
While, back in a corner, a "greenhorn" from "Goshen," 
Cried out to the Chairman, "I second the motion." 
Squire Sollit looked puzzled, then frowned at his wife, 
And rapped on the desk with his broken jack-knife. 

The room was soon silent. The chairman inquired 
" Ef nobody else," who was present, desired 
" To make a few feeble remarks, or express 
Some simple idees a-ha! a-hem a-hon the press"? 
A young man arose, on the tips of his toes, 
Who, gracefully wiping his aquiline nose, 
Began, in a mellow and woman-like tone, 
To let the great question at issue alone: 



THE DEBATING SOCIETY. 139 

"Mistah Speakah, Sah. I suppose you ah not faniilyah with 
ouah ways in Boston, but we ah faniilyali witli youah ways yah. 
Wat I have seen yah to-niglit cawys me back to the sunny houhs 
of childhood, wouki that I wah but a boy or a girl again. Many 
yahs ago, I juced to sit on jondah little seat meself, when me little 
feet could scarcely touch the floah. I was vewy happy then. Am 
I happy now: pon me honnah, I don't know, but would that I wah 
but a boy or a girl again. Two little boys juced to. attend these 
meetings togethah, in the sw-eet long ago; the apellation of one 
was John, the cognomen of the othah was Philandah. Now John 
was an exceedingly bad little boy, but Philandah (evwybodah loved 
little Philandah) was a vewy good little boy. Aftah many yahs, 
those two little boys gwew up to be men. John, as a mattah of 
coas, made a vewy bad man, and finally got into states'-pwison, foah 
stealing hams, but Philandah, deah little Philandah, is now one of 
the most influential and wespectable citizens of Boston. Behold 
him yah; he stands befoah you; that g"ood little boy was meself! " 

As soon as Philander had taken his seat, 

Theophilus Tomlinson sprang to his feet. 

Just home "for vacation" from "old Dartmouth College," 

With mind overflowing with classical knowledge; 

He poured forth a flood of grandiloquent prose. 

And brought the debate to a glorious close. 

" Mr-r-r. Pr-r-resident, sir-r-r, fr-r-rom the immor-r-rtal time 
when our gl-or-r-rious Pil-gr-r-rim Father-r-rs br-r-rought the star-r-r- 
spangled banner-r-r to this countr-r-ry, sir-r-r, we have been a 
p-hatr-r-riotic nation. They pl-anted upon the sacr-r-red soil of 
^Massachusetts, sir-r-r, the fir-r-rst gr-r-reat pr-r-rinciples of lib- 
er-r-rty, sir-r-r. Who can look upon our-r-r beauteous banner-r-r 
without emotions of pr-r-ride and p-hatr-r-riotism, sir-r-r V Who can 



140 LYRICS OF HOME-LAND. 

stand beneath its star-r-ry folds withont a thr-r-rill of r-r-rapture 
and delight, sir-r-r ? Th© gr-i'-randest sensation of my soul is the 
inwar-r-d consciousness of being- an Amer-r-rican citizen, sir-r-r. I 
shar-r-re this gl-lor-r-rious feeling with ever-r-ry lover-r-r of lib- 
er-r-rty, sir-r-r. In union is str-r-rength, in str-r-rength is might, 
and in might is victor-r-ry, sir-r-r. Let for-r-reign foes who long to 
kill behold our-r-r banner-r-r and be still. I^et them per-r-rmit that 
incompar-r-rable bir-r-rd, the Amer-r-rican eagle, to per-r-ch for-r-r- 
ever, undistur-r-rbed, upon the r-r-rock-r-r-ribbed summits of her-r-r 
native hills. To r-r-rise, to descend, and, like the f-habled Ph-henix, 
r-r-rise ag'ain; to sweep fr-r-rom tor-r-rid gulf to fr-r-rozen sea, to 
b-hathe her-r-r br-r-reast within the l)-hounding b-hillows of the 
br-r-road Atlantic, and westwar-r-rd, like the star-r-r of empir-r-re, 
take her-r-r way, until she dips her-r-r wings within the salt 
spr-r-rays of the p-honder-r-rous Pacific, to soar-r-r, sir-r-r, to soar-r-r, 
sir-r-r, w-w-why to soar-r-r, sir-r-r, to soar-r-r, sir-r-r, w-w-why, 
g-g-gentlemen, t-t-to soar-r-r, sir-r-r, t-hill she gets so sor-r-re, 
sir-r-r, that she is utter-r-rly vinable to soar-r-r any mor-r-re, sir-r-r! " 

He sank out out of sight, and the Squire, with a sigh, 
Said: "A-hem! this ere meetin's adjourned sin-or-die.^'' 

Those simple old farmers have all passed away; 

The children, who laughed, are now careworn and gray; 

Yet still, on the liill in that New Hampshire town. 

The ruined old school-house stands battered and brown. 

Forlorn and forsaken, and gone to decay, 

The old-fashioned school-room is vacant to-day. 



THE YANKEE SCHOOLMASTER. 

A CHRISTMAS LEGEND OF "MILLER'S HILL." 



INSCRIBED 

TO THOSE WHO HAVE TAUGHT A COUNTRY SCHOOL, AND HAVE SLEPT IN THE •' SPARE BED, 
BT ONE WHO ONCE " BOARDED AROUND. ■" 



THE OLD FARMHOUSE. 

ON "Miller's Hill," a farmhouse stood; 
A low-eaved structure built of wood; 
Whose clapboards, weather-worn and gray. 
Were falling into slow decay; 
Whose mossy, wooden eave-troughs swung 
From rusty irons, rudely hung; 
Whose curling shingles, here and there. 
Betrayed the need of good repair; 
Whose ancient chimney, capped with stone, 
With lichens partly overgrown, 
Above the sagging roof, looked down 
Upon the .spires of Brandon town. 

An old gray barn was built near by. 
With heavy girths and scaffolds high; 
With solid sills and massive beams. 
And through the cracks and open seams, 

141 



142 LYRICS OF HOME-LAND. 

Tlie slanting sunshine used to play, 
In g-olden g'leams upon the hay; 
Where oft, with many a merry shout, 
The children jumped and played about 
At hide-and-seek, or looked with care 
For hidden nests in corners there. 
Where oft at morn they used to hear 
The cackling hen and chanticleer. 

Where, by the broad floor 'neath the mows. 

Were cribs and stanchions for the cows, 

And strong plank stalls where horses stood, 

To eat their hay from racks of wood. 

And, in a corner stowed away, 

A fanning-mill and old red sleigh. 

Where jolly farmboys husked at night 

The golden corn by candle-light. 

And hung their lanterns by the bay. 

On pitcliforks thrust into the hay; 

Where, sheltered from autumnal rain, 

With thundering flails they threshed the grain. 

THE SEASONS. 

Each year the hum of honey-bees 
Was heard amid the apple-trees. 
The lilacs bloomed; the locusts fair 
With their sweet fragrance filled the air. 
The stubble-fields were plowed and sown; 
The warm rain fell; the bright sun shone; 
The robins sang; the green grass grew; 
The roses blossomed in the dew; 



THE YANKEE SCHOOLMASTER. 



143 





^ issfev^ 



ox 'millers hill, a FARMIIOrSE STOOD, 
A LOW-EAVED STRUCTURE BUILT OP WOOD.' 



The tall red liollyhoek once more 

Bloomed brightly by the farmhouse door; 

The sunflower bent its g'audy head; 

The cattle in the pastures fed; 

The crickets chirped in meadows near; 

And sounds were wafted to the ear, 

O'er waving- fields of tasseled corn, 

Of clattering sc^'the and dinner horn. 

The reapers reaped their golden sheaves; 

The swallows left the stuccoed eaves; 

The apples, in the autumn breeze. 

Grew ripe and mellow on the trees; 

The leaves were swept about the air; 

The fields were brown; the woodlands bare; 



14:4 LYRICS OF HOME-LAND. 

The snowflakes fell; the air grew chill; 
The sleighbells rang on "Miller's Hill." 

THE ARRIVAL. 

The winter sky was overcast; 

The snow and sleet were falling fast. 

'Twas " Christmas Eve.'" The air was cool, 

The children hurried home from school, 

With laughter loud and outcries shrill, 

They reached the farmhouse on the hill. 

They came across the kitchen floor; 

Nor stopped to shut the entry door; 

All striving first the news to tell, 

Exclaimed, in concert, with a yell: 

"The teacher's comin' here to stay; 

He's up the road a little way; 

He stopped to talk with Susan Stow, 

And we ran home to let you know." 

The mother stopped her spinning-wheel, 
And put away her creaking reel, 
Swept up the dusty hearth with care, 
Rolled down her sleeves and brushed her hair, 
Smoothed out her rumpled gingham gown. 
And in her rocking-chair sat down. 
Then, striving hard to look her best. 
She calmly waited for her guest. 

Her ruddy, round and fleshy face 
Was bordered by a cap of lace. 



THE YANKEE SCII OO LM A STEK. 1-15 

Her nose was nearly hid from view 

By her plump cheeks of healthy hue. 

Her eyes were bright; her hair was thin; 

She had a heavy double chin; 

Her husband's arms, when both embraced, 

Could barely circumscribe her waist. 

Of all large women, nine in ten 

Will fall in love with little men. 

And little men — why, none may tell — 

Adore large women quite as well. 

They woo, they wed; the man through life 

Is quite o'ershadowed by the wife. 

THE SCHOOLMASTER 

Soon, parting from his rustic flame. 

The tardy young schoolmaster came. 

His eyes were blue; his features fair; 

His chin o'ergrown with downy hair. 

Behind his ears, his locks of brown 

Were smoothly brushed and plastered down; 

His bony limbs were large and long; 

His well-trained muscles, firm and strong. 

The tall, stout boys, who years before 

Had thrown their teachers through the door. 

His rod regarded with dismay. 

And seldom dared to disobey. 

The pride and hope of Hubbardton, 

Was tall Lycurgus Littlejoiin, 

Who had, his fellow-townsmen said, 

*'A heap o' larnin' in his head," 



146 LYRICS OF IIO.AIE-LAND. 

(Three terms in Middlebury College 

Had given him his "heap" of knowledge.) 

He often used to sit between 
The fair young gii'ls of "sweet sixteen," 
And kindly help them "do their sums." 
They brought him fruit and sugar-plums; 
They had their youthful hopes and fears; 
His words were music in their ears; 
Each smile he gave them had a charm; 
Each frown would fill them with alarm; 
What envious looks at Susan Stow, 
His favorite scholar, they would throw. 

THE FAVORITE SCHOLAR. 

Her eyes and hair were dark as night; 
Her skin was soft and smooth and white; 
Her lips, like cherries ripe and red; 
A peach-like bloom her cheeks o'erspre;-d; 
What wonder he could not conceal 
The glad sweet thrill he used to feel 
Through all his palpitating frame, 
When to his desk she coyly came 
And, looking up with eyes of love, 
Like some shy, timid little dove, 
Would softly ask him to expound 
Some knotty problem she had found, 
What being in the world below 
Seemed half as sweet as Susan Stow? 
Her eyes would flash and, in return. 
His face would flush and strangely burn; 



THE YANKEE SCHOOLMASTER, 



147 



And, wlien lie tried to calculate 
Some long", hard sum upon her slate. 
The figures danced before his sight, 
Like little goblins, gay and white: 




SUSAN STOW. 



And, when at niglit, with cheerful face, 
He started for his boarding-place, 
What wonder that he came so slow 
In walking home with Susan Stow? 



148 LYRICS OF HOME-LAND. 

THE GREETING. 

The woman crossed the kitchen floor, 

To meet Lycurgus at the door; 

And with a scrutinizing stare, 

She said: "Walk in an' take a chair, 

An' be to home while you are here. 

Come, Busby, take his things, my dear." 

Forth from his corner, by the fire. 

The husband came, at her desire. 

His head was bald, save here and there 

Stray little tufts of grizzled haii'. 

His shoulders stooped; his form was thin; 

His knees were bent; his toes turned in; 

He wore a long blue flannel fi'ock; 

Gray trousers and a satin stock; 

A cotton collar, tall and queer. 

Was rudely rumpled round each ear; 

His face was mild; his smile was bland, 

As forth he put his ponderous hand 

And said: "I think I see you well. 

I hope you'll stay a leetle spell. 

We're plain folks here, I'd hev you know. 

We don't go in fur pride nor show." 

Then, after stepping on the cat, 

He took the teacher's coat and hat. 

He hung them on a rusty nail, 

And, picking up his milking pail, 

He slowly shuffled out of doors, 

And went to do his evening chores. 



THE YANKEE SCHOOLMASTER. 149 



THE FARMHOUSE KITCHEN. 



Close by the firelight's cheerful glare, 
Lycurgus drew the easy chair. 
The savory steam of chickens slain, 
Came from the black pot on the crane. 
The kettle's merry song he heard; 
Upon the hearth the gray cat purred; 
While, by the chimney-corner snug, 
The house-dog dozed upon a rug; 
Along the chimney piece of wood, 
An idle row of flat-irons stood; 
Two candlesticks in bright array, 
A pair of snuffers and a tray. 
The time-worn clock ticked slowly on; 
It struck the hours forever gone: 
"Forever gone!" it seemed to say; 
" Forever gone " — from day to day, 
In its tall case of sombre hue, — 
'Twas fifty years since it was new. 
Between the windows, small and high, 
The looking- glass was hung near by. 
A brazen l:)ird, with wings outspread. 
Perched on the scroll work overhead. 
Beneath, a shelf, the common home 
Of family Bible, brush and comb. 
Above, from iron hooks, were hung 
Long frames with apples thickly strung; 
And, fixed upon the wall to dry. 
Were wreaths of pumpkin kept for pie. 



150 LYRICS OF IIOME-LAJ^D. 

AUNT REBECCA. 

Forth from the butt'ry to the fire 
Came "Au^^t Rebecca McIntire," 
A sallow spinster, somewhat old, 
Whose mellow age was seldom told. 
Her hair was gray; her nose was thin; 
It nearly touched her toothless chin. 
Life's weary work and constant care 
Had worn a face that once was fair. 

Each Sabbath morn, from spring to spring, 

Within the choir she used to sing. 

In ancient bonnet, cloak and gown, 

The oldest relics in the town. 

Beside the chorister she stood. 

And did the very best she could; 

And, while with tuning fork he led. 

She marked his movements with her head — 

Her nasal voice rose sharp and queer 

Above the deep-toned viol near. 

She took tlie black pot from the crane; 
Removed the kettle from the chain; 
And made the tea and chicken broth; 
Drew out the table; spread the cloth; 
Then, from the cupboard, bright and new. 
Brought the best china, edged with blue. 



THE YANKEE SCHOOLMASTER. 1,51 

SUPPER. 

The chores were done; the feast was spread; 
All took their seats, and grace was said. 
They ate the savory chicken stew 
So juicy and so well cooked through. 
Before them rich, round dumplings swam 
On steaming plates, with cold boiled ham; 
With feathery biscuit, warm and light; 
AYith currant jam and honey white, 
And, crowning all, a good supply 
Of yellow, mealy pumpkin pie. 

THE CPIILDREN'S BEDTIME. 

The supper done, the father took 
From off its shelf the sacred book. 
And read of Him who stilled the sea 
One stormy night in Galilee. 
Then kneeling doAyn before his chair. 
He asked the Heavenly Shepherd's care. 

Soon from the group, with drowsy heads, 
The children started for their beds. 
Took off the little shoes they wore, 
x\nd left them on the kitchen floor. 
Upon the wall, with cheeks aglow. 
They hung their stockings in a row: 
Then, bidding all a fond "good night," 
With pattering feet, the}^ passed from sight. 



152 LYRICS OF HOME-LAND. 

Dear little feet; how soon they stray 
From the old farmhouse, far away. 
How soon they leave the family fold, 
To walk the shining streets of gold, 
Where every hope is real and sure, 
Where every heart is kind and pure, 
Where every dream is bright and fair; — 
0! may we meet our loved ones there. 

AROUND THE FIRESIDE. 

The farmer left his cozy seat, 

With clattering slippers on his feet. 

Went to the cellar, where he drew 

A mug of cider, sweet and new, 

And, from his broad bins, brought the best 

And ripest apples for his guest. 

Then, by the warm fire's ruddy light. 

They lingered until late at night. 

Strange legends told, and tales that made 

Them all feel anxious and afraid. 

AUNT REBECCA RETIRES. 

But "AuxT Rebecca" watched in vain 
The curling smoke above the crane. 
She nodded, dozed, began to snore; 
She dropped her knitting on the floor. 
Awoke! her eyelids heavier grew; 
Arose, and silently withdrew. 

Along the creaking stairs she crept. 
To the lone chamber where she slept, 



THE YANKEE SCHOOLMASTER. 153 

And close the window curtains drew, 
To screen herself from outward view; 
She stopped the keyhole of the door, 
She set the candle on the floor, 
Looked 'neath the valance, half afraid 
To find a man in ambuscade: 
Then, sitting down aside with care 
She laid her garments on a chair, 
Slipped on her ghostly robe of white, 
Took off her shoes, blew out the light; 
Then, in the darkness, from her head 
Removed her wig and went to bed; 
Curled up with chilly sobs and sighs, 
And, shivering, shut her drowsy eyes. 

Poor single souls who sleep alone! 

The night wind hath a dismal tone 

To your lone ears — you start with fear 

At every midnight sound you hear. 

When, late at night, with weary heads, 

You creep into your lonely beds. 

The nights seem long; your lips turn blue, • 

Your feet grow cold — you know they do. 

A DREAM OF GIRLHOOD. 

She slept at last, she heard once more 
The murmuring waves upon the shore. 
Again she sat upon the strand. 
And some one clasped her fair young hand 
And words were whispered in her ear 
That long ago she loved to hear; 



154 LYRICS OF HOME-LAND. 

And startino- up she cried in g-lee: 

" I knew you would come back to me." 

She woke, — alas! no love was there; 
Her thin hands clasped the vacant air; 
'Twas but a dream, she lived alone; 
Without, she heard the night wind moan; 
While on the window panes the snow 
Was wildly beating. From below 
The smothered sound of voices came, 
Where still wdth Busby's social dame 
Their guest sat by the fading hre, 
And watched its fleeting fllame expire. 
Awhile she listened, but no word 
They uttered could be clearly heard. 
But soon a recollection came 
That sent a shudder through her frame; 

The sausage to be fried at morn, 
The breakfast table to adorn, 
Was in the bed-room where their guest 
Would soon betake himself to rest. 
The clock struck ten — she softly said: 
'•'■Pll get it ere he goes to hedy 

THE SPARE BED. 

The spare bed stood within a room 
As chill and humid as a tomb; 
'Twas never aired; 'twas seldom swept: 
In its damp corners spiders crept; 



THE YANKEE SCHOOLMASTER. 155 

They built their bridges through the air, 

And no rude broom disturbed them there. 

The rain, that fell on roof decayed, 

Dripped thro' the chinks that time had made, 

And on the white-washed walls ran down 

In wondrous frescoes, tinged with brown. 

The window-panes, with frost o'erspread, 

Were warmer than that icy bed. 

Cold was the matting on the floor. 

Cold blew the breeze beneath the door. 

Cold were the straight-backed chairs of wood. 

Cold was the oaken stand that stood 

On spindling legs that looked as chill 

As lone, bare pines on some bleak hill. 

Hiffh rose that bed o'er things below 

Like some tall iceberg capped with snow. 

Here every highly honored guest. 

When bed-time came, retired to " rest.'''' 

Within its large and moldy press, 
Hung Mrs. Busby's best silk dress. 
Her Sunday bonnet, shoes and shawl, 
On rusty nails against the wall. 
By Mr. Busby's suit of blue 
That at his wedding had been new. 
Here, on a peg, his best cravat 
Reposed within his old fur hat; 
Here, shut from sight of human eyes, 
Were rows of mince and apple pies; 
With rolls of sausage and head-cheese, 
Stored on the shelves and left to freeze. 



156 LYRICS OF HOME-LAND. 

ENTRAPPED. 

From out her cot the maiden crept, 
Slipped on her shoes and softly stepped 
Along the hall and through the gloom, 
Until she reached the chilly room. 
Unseen, she crossed the icy floor. 
Unheard, unlocked the closet door. 
Snatched from the shelf, in her firm hold, 
A bag of sausage, stiff and cold, 
Then, turning quickly, sought to beat 
A sudden, safe and sure retreat. 
Too late! a light gleamed on the wall, 
And sounds of footfalls filled the hall; 
Then to the room came boldly on 
The stalwart form of Littlejohx. 
She backward stepped and stood aghast! 
Then shut the door and held it fast. 

With chattering teeth and trembling frame, 

Across the floor Lycurgus came. 

He placed the candle in his hand 

Upon the spindling oaken stand, 

Then closed the door, and, with a frown, 

Within a cold chair settled down. 

He threw his boots upon the floor. 

And, rising, tried the closet door; 

But Aunt Rebecca, in a fright. 

Clung to the latch with all her might. 

To look within Lycurgus failed; 

He turned away and thought it nailed. 



THE YANKEE SCHOOLMASTER. 15^ 

Then pulling down the snowy spread, 
He put his warm brick in the bed, 
Took off his clothes and slipped between 
The sheets of ice, so white and clean, 

Blew out the light, and with a sneeze 

Close to his chin lie brought his knees; 

Beneath the clothes he drew his. nose. 

And tried in vain to find repose. 

While Aunt Rebecca from the wall 

Took down the Sunday gown and shawl; 

She wrapped them round her freezing form. 

And blushed to keep her visage warm. 

SUSPENSE. 

The paper curtains, loosely hung 

Upon the windows, rustling swung, 

While through each quivering, narrow frame 

Of frosty panes a dim light came 

That made the furniture appear 

Like dusky phantoms crouching near, 

Lycurgus listened to the storm. 

And hugged his brick to keep him warm. 

But colder grew the humid bed; 

The clothes congealed about his head; 

To feel at ease in vain he tried; 

He tossed and turned from side to side; 

Each time he moved, beneath his weight 

The bedstead creaked like some farm-gate; 

His brick grew cold; he could not sleep; 

A strange sensation seemed to creep 



158 LYRICS OF HOME-LAND. 

Upon him, while across the floor 
He closely watched the closet door, 

AN APPARITION. 

Was he but dreaming? No! his eyes 

Beheld with wonder and surprise 

What man had never seen before, — 

There was a movement at the door. 

It slowly turned, and to his sight 

Came through the dim, uncertain light 

A hideous hand, that in its clasp 

Some awful object seemed to grasp. 

A crouching form, with frightful head. 

Seemed slowly coming toward the bed. 

He heard the rusty hinges creak; 

He could not stir; he could not speak; 

He could not turn his head away; 

He shut his eyes and tried to pray. 

Upon his brow of pallid hue 

The cold sweat stood, like drops of dew. 

At last he shrieked, aloud and shrill, — 

The door swung back and all was still. 

That midnight cry from room to room 

Resounded loudly through the gloom; 

The farmer and his wife, at rest 

Within their warm and cozy nest. 

Awoke and sprang, in strange attire, 

Forth from their bed, loud shouting ",/?>e.'" 

But finding neither smoke nor flame. 

Soon stumbling up the stairs they came. 



THE YANKEE SCHOOLMASTER. 159 

In cotton bed-quilts quaintly dressed. 
They heard a deep groan from their guest; 
And full of wonder and affright, 
Pushed in the door and struck a light. 

Deep down within the feather bed 
Lycurgus had withdrawn his head, 
And out of sight lay quaking there, 
With throbbing heart and bristling hair. 
They questioned him, but he was still; 
He shook as if he had a chill; 
The courage was completely gone 
From tall Lycurgus Littlejoiix. 

THE DENOUEMENT. 

What human language can express 
The modest maiden's dire distress. 
While standing still behind her screen, 
A sad spectator of the scene? 
What pen or pencil can portray 
Her mute despair and deep dismay? 
Awhile she stood, and through the door 
She peeped across the bedroom floor. 
The way was clear, and like a vise. 
She grasped the sausage cold as ice. 
Sprang from the closet, and from sight 
She glided, like a gleam of light; 
Away, without a look or word,- 
She flew like an affrighted bird, — 
Without one moment of delay 
The mystery cleared itself away. 



160 LYRICS OF HOME-LAND. 

CONCLUSION. 

Again the snow g-leams on the ground, 

Again the sleigh-bells gayly sound, 

Again on "Miller's Hill" we hear 

The shouts of children loud and clear. 

But in the barn is heard no more 

The flapping flail upon the floor. 

The house is down, its inmates gone. 

And tall Lycurgus Littlejoiix 

Is now an old man, worn with care, 

With stooping form and silver half. 

He married dark-eyed SusAis^ Stow, 

And they were happy years ago. 

\^^hen in the merry winter time 

Their children's children round him climb 

He tells them of his fearful fright 

On that far-distant winter night; 

And after they are put to bed. 

When by the fire, with nodding head, 

He sits and sinks to slumber deep. 

And quakes and shivers in his sleep, 

Alas ! he is but dreaming still 

Of that spare bed on "Miller's Hill." 



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